조선 건축을 바라보는 세 가지 시선 - 에카르트와 고유섭, 그리고 야나기 무네요시

Abstract

The purpose of this thesis is to compare and analyze three viewpoints that Eckardt, Gho, Yoo Sub and Yanagi muneyosi(柳宗悦) of three persons who studied the Chosŏn‘s art looked at the Chosŏn‘s buildings as a scholar. He, Eckardt recorded an art of various field through many photographs and picture materials traveling from place to place within the Chosŏn country. Especially, It has a great signification in the point that he wrote the history of art based on the popular arts after he understood the popular houses as the standard of the Chosŏn‘s buildings While, He, Gho, Yoo Sub understood the royal palace as the standard of the Chosŏn‘s buildings, so that he took a different footing of the direct opposition against Eckardt. 「 The history of the Chosŏn‘s buildings」of an unpublished work which was written by Gho, Yoo Sub , which was found by younger scholars, although it has a defect of an unfinished work it has laid the groundwork for the history of the Chosŏn‘s buildings. On the other hand, Yanagi muneyosi like Eckardt placed high value on the only Chosŏn‘s art which was different from Japanese art or Chinese one. However, they treated the Chosŏn‘s art as a sorrowful relics of the brilliancy past from a ruined country. They took on such a aspect which seemed inevitable as they who were foreigners looked at the Chosŏn‘s art to make it an object of studies. But, Gho, Yoo Sub who looked at the Chosŏn‘s art through life itself, gave directions to be improved in future, and he had an insight into our art with his view to be different from them. In a rapid change in spatio-temporal of Eastern and Western as well as former modern and modern, we were able to advance in the modern art due to their studies which looked at the Chosŏn‘s buildings through each one’s view. Nevertheless, the study on their esthetics is of shortage. We have to observe their study which taken their place in the name of ‘Beginning’ in order to be abundant in our history of art in future.