위만주국시기 양산정과 안수길 소설의 주제의식 비교 연구

Abstract

This study explored the differences in the Thematic consciousness and causes of the two writers’ perceptions of Pseudo Manchukuo during the Pseudo Manchukuo period (the period of residence in Pseudo Manchukuo) in Liang Shan-ding, who led the Literary circles in the enemy occupied areas in Northeast China, and Ahn soo-kil, who led the Manchuria Korean literature. First of all, I examined the situation of the Chinese literary world and the Korean literary world that the two writers were in the first and examined the Thematic consciousness characteristics of the two artist novels. Liang Shan-ding insisted on ‘local literature’ against the transplant literature demanded by Japanese imperialism, and practiced in creation with five years of argument with the ‘Yiwenzhipai(艺文志派)’. During this period, the theme of Liang Shan-ding novels changed from criticizing the Chinese Ethnicity, exposing the ruling crimes of the puppet Manchukuo authorities, indirectly exposing the realistic critical theme of Japanese imperialist aggression to the rebellious theme of the public reminding the peasants to organize armed resistance against the rule of the puppet Manchukuo authorities. Ahn soo-kil launched the ‘Beixiang Association’ Literature with Korean Literature and sought to connect the genealogy of Korean Literature in Gando. Ahn Soo-gil’s novel showed a pattern of transforming from a reality-critical theme criticizing Manchuria’s dark social image and the national character of Koreans to a reality-friendly theme that appeals to establish the identity of the nation with the “Hometown in the north spirit” and “rejuvenate” as the people of Pseudo Manchukuo. Liang Shan-ding and Ahn soo-kil have something in common in that they pay attention to the hardships of the lower class, criticize the ethnicity of each nation, criticize and expose the dark social situation, but the way they express conflict with Japan, the way they leave, and the attitude taken on the national policy of Pseudo Manchukuo. The Thematic consciousness of the two writers’ novels are different because first of all, the historical reality facing the native Chinese of Manchuria and the immigrant Koreans is different, and then the creative career of the two writers and the situation of the literary world are different.