중국 궁정 교방의 ‘헌선도’ 계열 잡극 연구
A Study on the Zaju Series as Dedicate Peach of Immortality by the Jiaofang in Palace of China
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The purpose of this study is to reveal that it was not only a simple musical play but also various types of plays and dances were inserted and performed in the procedure of ritual or banquet, focusing on Zaju compiled and performed by the Ming court Jiaofang. Until now, I have maintained a view of China's culture and art as a common East Asian heritage, and this task is an area that must be studied to find the identity of Korean traditional culture in the universality of East Asia. Accordingly, among the five Korean music and dances that inherited the Song Dynasty Performance, I tried to reveal the characteristics of the Jaofang Zaju in connection with Heonseondo.
Abstract
The purpose of this study is to reveal that it was not only a simple musical play but also various types of plays and dances were inserted and performed in the procedure of ritual or banquet, focusing on Zaju compiled and performed by the Ming court Jiaofang. Until now, I have maintained a view of China's culture and art as a common East Asian heritage, and this task is an area that must be studied to find the identity of Korean traditional culture in the universality of East Asia. Accordingly, among the five Korean music and dances that inherited the Song Dynasty Performance, I tried to reveal the characteristics of the Jaofang Zaju in connection with Heonseondo.
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