표현주의 예술에 나타난 묵시록적 도시 풍경과 갈리치아 그로덱 전투 고찰
The Battle of Gródek in Galicia and Apocalyptic Urban Landscapes in Expressionist Art and Literature
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study explores the Battle of Gródek, which occurred in Galicia (now part of Ukraine) during the early 20th century, and its relationship to apocalyptic landscapes within expressionist art and literature. By focusing on the “Schlacht von Gródek”, this paper investigates how artists and writers depicted the scars of war, the psychological aftermath of violence, and the existential fate of both individuals and cities in the wake of conflict. The analysis centers on the intersection of these themes in the works of expressionists such as Georg Trakl, Jakob van Hoddis, Ludwig Meidner, and Karl Kraus etc., whose works engage with the collapse of civilizations in the context of wartime devastation. This paper specifically analyzes Trakl's Grodek, Meidner's apocalyptic paintings, and van Hoddis’ Weltende, each of which reflects the psychological and societal fractures wrought by the First World War. Furthermore, this paper draws contemporary parallels between the wartime destruction of the 20th century and the ongoing conflict in Ukraine, underscoring the continued relevance of these apocalyptic landscapes in understanding the fragility of modern civilization. By broader contextualzing Expressionism this study aims to contribute to a deeper understanding of how artists and writers responded to the collapse of traditional societal structures and the rise of a new, often dystopian worldview.
Abstract
This study explores the Battle of Gródek, which occurred in Galicia (now part of Ukraine) during the early 20th century, and its relationship to apocalyptic landscapes within expressionist art and literature. By focusing on the “Schlacht von Gródek”, this paper investigates how artists and writers depicted the scars of war, the psychological aftermath of violence, and the existential fate of both individuals and cities in the wake of conflict. The analysis centers on the intersection of these themes in the works of expressionists such as Georg Trakl, Jakob van Hoddis, Ludwig Meidner, and Karl Kraus etc., whose works engage with the collapse of civilizations in the context of wartime devastation. This paper specifically analyzes Trakl's Grodek, Meidner's apocalyptic paintings, and van Hoddis’ Weltende, each of which reflects the psychological and societal fractures wrought by the First World War. Furthermore, this paper draws contemporary parallels between the wartime destruction of the 20th century and the ongoing conflict in Ukraine, underscoring the continued relevance of these apocalyptic landscapes in understanding the fragility of modern civilization. By broader contextualzing Expressionism this study aims to contribute to a deeper understanding of how artists and writers responded to the collapse of traditional societal structures and the rise of a new, often dystopian worldview.
참고문헌 (30)
- 고창범, "Gottfried Benn의 소고(1) - 표현주의 시대를 중심으로", 인문논총, 18, pp.1~29 (1987), 서울대학교 인문학연구원
- 데이비스, 노먼, "유럽 하나의 역사" (2023), 예경
- 신성엽, "“Die Ungeborenen” von G. Trakl und A. Kiefer", 독일언어문학, 91, pp.101~121 (2021), 한국독일어문학회
- 신성엽, "빈 카페하우스의 문학적 풍경 - 칼 크라우스의 『철거된 문학』과 슈테판 츠바이크의 『부흐멘델』을 중심으로", 독일교육, 89, pp.241~264 (2024), 한국독어독문학교육학회
- 양석원, "정신적 상처의 원인과 치유의 탐구", 비평과 이론, 27(2), pp.87~119 (2022), 한국비평이론학회
- 윤태원, "독일 Tischgesellschaft의 정체성을 통해서 본 시대정신 고찰", 독일언어문학, 90, pp.43~68 (2020), 한국독일어문학회
- 조효원, "발터 벤야민의 문학적 메시아주의 – 칼 크라우스와 인용의 문제를 중심으로 -", 동서인문학, 45, pp.185~223 (2011), 계명대학교 인문과학연구소
- 존스턴, "제국의 종말 지성의 탄생" (2008), 글항아리
- 최혜영, "그리스비극 깊이 읽기" (2018), 푸른 역사
- Bettauer, Hugo, "Der Kampf um Wien" (1923), Milena
- Bousset, Wilhelm, "Die Offenbarung Johannis" (1906), Vandenhoeck & Ruprecht
- Breuer, Gerda, "Ludwig Meidner Band 2" (1991), Hatje
- Daemmrich, Horst S, "Themen und Motive in der Literatur. Ein Handbuch" (1995), UTB
- Ernst, Peter, "Wiener Literaturgedenkstätten" (1990), J&V
- Goethe, Johann Wolfgang, "Poetische Werke Band 1" (1960), Hendel
- Hermann, Isabella, "Science-Fiction zur Einführung" (2023), Julius
- Kemper, Hans-Georg, "Droge Trakl. Rauschträume und Poesie" (2014), Otto Müller
- Morton, Timothy, "Hyperobjects: Philosophy and Ecology after the End of the World", pp.2013
- Nowak-Thaller, Elisabeth, "Klemens Brosch. Kunst und Sucht Zeichengenies" (2016), NORDICO Stadtmuseum Linz
- Pinthus, Kurt, "Ein Dokument des Expressionismus" (1959), Rowohlt
- Sahl, Hans, "“Und doch--”: Essays und Kritiken aus zwei Kontinenten" (1991), De Gruyter
- Schweer, Thomas, "Kocas Fluch. Die gesellschaftliche Karriere des Kokains" (1994), Westdeutscher Verlag
- Trakl, Georg, "Georg Trakl. Das dichterische Werk" (2012), Deutscher Taschenbuch Verlag
- Trakl, Georg, "Historisch-kritische Ausgabe" (1987), Otto Müller
- Walzel, Oskar, "Wechselseitige Erhellung der Künste: ein Beitrag zur Würdigung kunstgeschichtlicher Begriffe" (1917), Reuter & Richard
- Weichselbaum, Hans, "Georg Trakl. Eine Biographie" (2014), Otto Müller
- Weiß, Juliane, "Dargestellt an Werken von Max Beckmann, Georg Heym, Ludwig Meidner und Paul Zech" (2015), Diplomica Verlag
- "Die Welt von Gestern. Erinnerungen eines Europäers" (1929)[URL]
- "Verhungerter Flüchtling, Grafische Sammlung des OöLandesmuseums" (1916)[URL]
- "Apokalyptische Landschaft, Öl auf Leinwand, 94x109cm" (1912)[URL]