L’allusion au réel dans l’imaginaire romanesque: Féerie pour une autre fois I et II (Normance)
The allusion to reality in the imaginary novel: Féerie pour une autre fois I and II(Normance)
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After his exile in Denmark, Céline decides to insert himself into his works as both narrator and protagonist, using his own names. Féerie pour une autre fois I and II (Normance) is a work of delirium. The author, sentenced to death during the German occupation, seeks to prove his innocence and denounce the hypocrisy and cruelty of his compatriots. For Céline, ‘writing’ is the only way to address all the problems of reality and to insist on his innocence. To achieve this, the author integrates his past life into his fictional universe in a mythical and ironic manner. The relationship between reality and literary imagination is built through the evocation of his tormented experiences. By means of this imaginative dynamic within reality, Céline becomes the chronicler of his apocalyptic era.
Abstract
After his exile in Denmark, Céline decides to insert himself into his works as both narrator and protagonist, using his own names. Féerie pour une autre fois I and II (Normance) is a work of delirium. The author, sentenced to death during the German occupation, seeks to prove his innocence and denounce the hypocrisy and cruelty of his compatriots. For Céline, ‘writing’ is the only way to address all the problems of reality and to insist on his innocence. To achieve this, the author integrates his past life into his fictional universe in a mythical and ironic manner. The relationship between reality and literary imagination is built through the evocation of his tormented experiences. By means of this imaginative dynamic within reality, Céline becomes the chronicler of his apocalyptic era.