鄕歌와 讚詩의 결합양상과 의미

Abstract

The purpose of this paper is to examine literal function, literal effect and union aspects between Hyangga and Chansi by looking into surrounding stories of Hyangga which was shared by both Hyangga and Chansi . Furthermore, monk Ilyon's thought that could be imbedded into Chansi is an another research aim of this paper. Ilyon had been added 5 pieces of Chansi to Hyangga out of 14. Although his attempt to write Chansi might have been caused by his personal interest in poetry, it's literal function and meaning have been fully constructed. Firstly, Chansi is corresponding to the stories of Hynagga then finally makes up the momentous time which was shown in Hynagga. Therefore, it plays an active role in making Hynagga literally effective. It also combines separate view point which was described in Hynagga and it's stories. By unifying disaggregated fractions of stories and Hyangga, it promotes an conclusion of stories completely. Again, it fortifies the Buddhistic theme by showing optimistic ideas and harmonious view to the world. Lastly, it makes equality of human-beings out clear by wrapping up various human relationship such as King to a subject and sister to brother. For instances, <Jemangmaega> <Dosoulga> <Dochunsudaebiga> <Uchekga> <Pungyo> and <Wonga> represent relationships between sister -brother, the King -subject, mother-son, monk-thief, monk-faithful follower respectively. Buddhistic teaching which shows everyone is equal in front of Buddhist was applied to the every human beings regardless of their social position. Chansi takes a role in increasing the level of completion of stories by supporting Hyangga and consolidating Buddhistic themes with being placed parallel with Hyangga.