향가와 그 한시의 관계

Abstract

<Dosolga> is a song that Maitreya now exists in the scene of the singing. The translated into Chinese poetry describes that the flower that the speaker put up on the clouds is gathering in the distance to meet the Maitre d 'The distance between the 'residence' and 'descent' of Maitreya is attributed to the intention of the translated into Chinese poetry, considering the context of the background narrative that Maitre'd appeared after singing 'Dosolga'. <Bohyunsibwonga> sings that all listeners can become Buddhas and become Buddhas. On the other hand, <Bohyeonsipwonsong> emphasizes that the readers should aim for the way of Bodhisattva, and for this endless efforts and sincerity are needed. The Buddha's work and the Bodhisattva Song's ‘Bodhisattva's path’ in the ‘Buddhist temple’ correspond to the Silla Buddhist thought and the Chinese Buddhist thought, respectively. In addition to the differences in song and poetry, we can also see that differences in thought are taken into consideration. <Dooijangga> and <Doijangsi>, which have the same author and sanction of the works, have a common point divided into three paragraphs in the award and content development. However, there is a difference in the development of concrete contents, and there is a difference in the poetic orientation of both works. If <Doijangsi> was able to 'think' past past tense through the present truce and place its significance as 'preservation of truce', <Doijangga> And that it will continue in the future. This difference is due to the media characteristics of the poetry and the cheerfulness of preservation through record and diffusion through the chant.