하야시 기탄(林義端)의 『다마쿠시게(玉櫛笥)』고찰 ― 권1의 제2화 「원송법화경(猿誦法花経)」을 중심으로 ―

Abstract

In this paper, the iconology of Hayashi Gitan’s “Tamakushige” vol. 1, no.2 of ‘Wonsongbophwagyoung’ is studied, which regarded “Cheondeungshinhwa” as reference, and faithfully adopted. Compared to the original text, it should be noted ‘Wonsongbeophwagyeong’ made the characters, events, historical background and physical background like the Japanese paintings. However, unlike the original text, these are not visible, the first part of the story Unjeong Buddhist Monk moved from Kumano Mountain to Shisyu in and settled in a rock cave and the last part in the conclusion Jingong Buddhist Monk by virtue of the Lotus Sutra defeated a snake, furthermore on these part, the previous studies suggest that the answer is not clear. In this paper, as the result of tracking the idea of Gitan, the part that Gitan added is from the vol.9 of the “Genkosyakusyo” in ‘Woonjung Judiciary’. And it was a famous fable about Woonjung Buddhist Monk, Gitan pointed out that it is separated into 2 parts and ‘Wonsongbeophwagyeong’ was distributed to the beginning and ending. But here a new problem is appeared that, as Gitan pointed out in the preface and epilogue, even though it is emphasized that it inherited “Inuhariko”, but from the stories on the specific relationship is not acceptable. Thus, in this paper, as a result of studying the text of “Tamakushige”, Gitan did not inherit story from the “Inuhariko”, rather succeeded iconology, taking advantage of Japan's previous works. It should be stated that the reason why ‘Wonsongbeophwagyeong’'s framework is configured via the story of “Genkosyakusyo” Woonjung Buddhist Monk is due to that intention.