윤석중 동요 / 동시 개작 양상 연구- 1930년대 작품집을 중심으로

Abstract

In this study, Yoon Seok-joong's works in the 1930s were compared to the original works to examine the adapted works. Yoon Seok-joong is a poet who thought everything could be a poem. In the 1920s and 30s, various experiments were conducted through everyday materials and new poetry styles were planned to be created to escape from the folk songs and stereotypes of the time. Adapting songs and poems was an essential tool in this process. He continues to adapt the same work and builds his own world of work. For example, by using the onomatopoeia to express objects indirectly rather than directly, it creates various flavors and atmospheres that can be felt in the poem, drawing the reader's interest and attention. It also increases the density of the work through the adaptation of the poem and the deletion and addition of the kite. The poem is adapted to harmonize with the overall context and atmosphere, and the child's mind is understood by removing radical meanings and contents that are not suitable for the child. Instead of looking at the world with the eyes of an adult, he is making efforts to complete the work by looking at the world and objects with the eyes of a lively childhood. In particular, Yoon Seok-joong shows what to give to children growing up in the reality of losing their country. He expressed the tragic reality of the time in a way that gave laughter and comfort rather than sadness. To this end, Yoon Seok-joong is revealing in a circumstantial way, considering the situation of the times. As such, Yoon Seok-joong changed his work according to the changes of the times and created his own world of work in various ways and experiments.