루쉰, 춘원과 일본 근대초기의 사소설

Abstract

The literature works of Lu Xun and Chun Yuan are the beginning points of China’s and Korea’s modern literature, and they are also considered models as “impacts without homophile” in two cultures’ modern literatures. Therefore, making an on‐the‐spot investigation and analysis on the similarity and difference in nature will benefit their modern literatures, particularly the inner natures in the beginning period as a meaning of reference. Meanwhile, it will also make clear the tracks that how they interacted at first and then gradually made the independence at last. On the one hand, they both chose the paths of literature in Japan, and at that time it was just an era which they are sensitive to new‐born things as youth. Under such circumstances, how they responded to the preference and trends of Japanese literature? How and in what forms such passion can be seen in their works? On the other hand, in the detailed process of contrastive study, we should consider in what position they are in their own literature history and what comprehension do people have on them. Thus, the contrastive studying method develops into impact factors and analogy with “both hands”. Besides, from the perspective of Chinese and Korean ethnical literature, and based on their different growing‐up backgrounds and times, the possibility of simple and irrational judgment that which on the higher is can be ruled out.