김광주의 모던 상하이 체험 관련 시 연구

Abstract

Kim Kwang-ju entered Shanghai in autumn 1928 and has been a bilingual writer in areas such as literature creation, Chinese literature review and translation, and film review. Kim Kwang-ju spent 15 years in China, the longest of which in Shanghai. During his stay in Shanghai, Kim Kwang-ju actively works as a propagator of Chinese journalism achievements while also presenting a number of novels, essays and poems while creating literature. In terms of quantity, although Kim Kwang-ju's poetry is not prolific, like his novels and essays, it reproduces the exotic experience, era distress and era characteristics of colonial intellectuals between Shanghai, China and Korea in modern space. Therefore, it has important research value. Unfortunately, the current academic research focuses on Kim Kwang-ju's novel creation, Shanghai experience and his translation of modern Chinese literature, but there is no sufficient discussion on his poetry creation. Although many studies have been conducted on the creation of Kim Kwang-ju's novels in academia, research on the creation of poems has yet to be properly discovered and The skepticism and criticism of the colonial modernity of Shanghai's urban space projected in Kim Kwang-ju's poem, the anguish and nostalgia of asylum intellectuals, and the sympathy of the lower classes all have a close relationship with the experience of strangers. Based on Kim Kwang-ju's experience in Shanghai, this paper aims to reconfirm its value, significance, and status in the history of literature by examining in-depth the meaning, trends, and aesthetic features of his original work.