Combatiendo en tierra de nadie: representación, pornografía y deseo en Mambrú, de R. H. Moreno Durán
Fighting in No Man’s Land: Representation, Pornography and Desire in Mambrú, by R. H. Moreno Durán
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초록
Este artículo explora cómo en Mambrú los miembros del Batallón Colombia representan a Corea como un espacio vacío del cual todos los referentes culturales y geográficos han sido eliminados. Para darle sentido a este paisaje, los solados rellenan los espacios en blanco que ha dejado la destrucción de la guerra a través de comparaciones tanto con la política y la geografía de Colombia, como con el cuerpo de las mujeres que ven y conocen en Asia. A partir de estos referentes, los soldados dibujan un mapa simbólico de sus alrededores. Este mapa les permite navegar a través de las ruinas coreanas, evitar la amenaza de la castración, afirmar su masculinidad y dominar, tanto sexual como militarmente, al otro.
Abstract
This article explores how in Mambrú the soldiers of the Colombian Battalion represent Korea as a blank slate––that is, as a place from which all specific cultural and geographic referents have been erased. To give meaning to this empty landscape, the soldiers fill in the blanks that the destruction of the war has left behind with comparisons to Colombia’s politics and geography, and to the body of the women the see and meet in Asia. Using these referents, the soldiers draw a symbolic map of their surroundings. This is a map that allows them to navigate through the Korean ruins, avoid the threat of castration, affirm their masculinity, and dominate the other both sexually and militarily.
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