고려시대 금속공예 선각(線刻)기법의기술과 유형

Abstract

The engraved line expression in metal crafts is a detailed technique of carving or decorating metal surfaces. Thistechnique engraves a line using a tool on the surface of a metal craft. This technique was used extensively in articlesmade of various metal materials during the Goryeo Dynasty, and the range of patterns that could be expressed andthe width of users was wide . In this paper, based on relics and literature, the concept of line representation of this engraving technique usedin the metal crafts of the Goryeo Dynasty and the perceptions and terms of the Goryeo Dynasty were examined. Inaddition, the users engaged in this craft and the specific patterns and patterns of decoration were reviewed. Throughthese means, it was possible to confirm various aspects of a technique that was thought previously to involve justsimple expression of lines using tools. In addition, through the literature, Geumseokmun Gate, and relics currently being transmitted , it was possibleto confirm the utilization patterns of techniques used in various types of objects. Various uses have led to thecombination with other metal craft techniques that were popular at the time, and while utilizing unique characteristicsof the techniques, this maximized the molding of various patterns. In the meantime, it is true that the intaglio technique in metal crafts has not received much attention comparedto the decoration techniques of other metal crafts, such as inlay, embossing, and openwork techniques in whichdecorative effects are maximized due to the recognition that the technique was used so widely in relics. However,the universality of the technique is premised on its wide use across all eras. As such, it was used in metal craft relicsthat reflect the various cultural characteristics of Korea and various cultural aspects that are currently passed down. On the one hand, technology has been passed down as a form of intangible heritage that embodies a longstandingcraft culture which continues to the present in the fields of sculpture and intangible cultural properties. As such, theuniversality of Seongak contains many cultural meanings. In addition, the uniqueness of the technique is distinct,and it is deeply related to Goryeo, who was in charge of the use of technology and craftsmanship of the JoseonDynasty and the metal craft technology that is currently handed down. I think research on future techniques shouldbe continued in depth.