<수궁가> 중 고고천변 대목의바디별 음악적 특성 연구 －박봉술ㆍ박초월ㆍ정권진의 소리를 중심으로－

Abstract

This study examines ‘Gogocheonbyun’ in <Sugungga> to identify the differences of each singer by badi (form of singing handed down by a predecessor.) It analyzes three singers, who were contemporaries, as follows; Bongsul Park, succeeding Song Man Gap badi, and Chowol Park, succeeding Yu Song Jun badi, both rooted in Dongpyeonje, and Kwonjin Jung, succeeding Boseong-sori, rooted in Seopyeonje. The major findings are as below. First, the study examines the composition of saseol (narrative) by dividing aniri (narration) and sori (singing) parts. It is found that Bongsul Park shortened sori while emphasizing aniri. On the other hand, Chowol Park and Kwonjin Jung shortened aniri while expanding the latter saseol of sori. Particularly, Chowol Park amplified the portrayal of scenes compared to two singers in paragraph 4. Secondly, the study looks into which ak-jo (musical tone) each singer presented in Gogocheonbyun, originally known to be composed in u-jo. Bongsul Park mostly used u-jo, while Kwonjin Jung used u-jo with moderately combining gyemeon-jo. On the other hand, Chowol Park centered on gyemeon-jo while partly using a combination of u-jo and gyemeon-jo. In other words, Chowol Park showed a strong tendency for gyemeon-jo, which is a stark difference with Bongsul Park. Lastly, as a result of examining lyric compositions by the layer of language structure, Bongsul Park was comparatively well aligned with 4٠4 format within 2-umboe (group of words composing a sentence.) On the other hand, Chowol Park and Kwonjin Jung expanded saseol into 3 to 4-umboe, showing much more variety in the rhythmic structure. In particular, Kwonjin Jung utilized buchimsae (rhythmic variation) in much diversified ways by applying ‘bbeod-eum’ and ‘juseo-buchim.’ As a result, it is found that Bongsul Park, succeeding Song Man Gap badi, presented strong tendency for the old tradition of Dongpyeonje while Kwonjin Jung, who was under the influence of Seopyeonje, emphasized buchimsae by moderately utilizing gyemeon-jo on the basis of u-jo melody structure. On the other hand, Chowol Park, succeeding Yu Song Jun badi, was more centered in gyemeon-jo, showing more similarity with Kwonjin Jung than with Bongsul Park. Therefore, it can be said that the degree of transformation of Gogocheonbyun, which is originally known to have u-jo tone, is most significant in Chowol Park, followed by Kwonjin Jung, and lastly, Bongsul Park.