고석규 비평의 수사학적 연구 - 문체론(stylistics)을 중심으로
The Rhetorical Study of Ko, Seok-Gyu's Criticism - Laying Stress on Stylistics
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This writing wished to make clear special quality by way of investigating Ko, Seok-Gyu's criticism in rhetorical viewpoint on the basis of important results of former study. This writing analyzed deeply text equivalent to stylistics among Ko, Seok-Gyu's criticism especially for this. Direction of Style is included to 'general theory of style'. Ko, Seok-Gyu's viewpoint about style can be summarized synthesis of epistemology and expression theory. He wishes to make clear style in viewpoint of physiology and psychology, and he discuss about tendency of psychologism of style. And after he discuss about gestalt psychology, correlate style with grammatical dimension of tense, aspect, mood, voice. Modern Poetry and Figure is included to 'poetic stylistics'. Ko, Seok-Gyu divides statement with pseudo-statement, and he points out that pseudo- statement helps the similar imagination by analogy. He gives poetic privilege to intuition than analogy as he compares analogy with intuition. Ko, Seok-Gyu explains to dimension of 'statement' correlating 'simile' with 'analogy', while he explains to dimension of 'pseudo-statement' correlating 'metaphor' with 'intuition'. And he connects interest about figure with metaphysical effort. We can summarize that Ko, Seok-Gyu's poetic stylistics is 'pseudo-statement-intuition-metaphor and symbol-metaphysics'.
Abstract
This writing wished to make clear special quality by way of investigating Ko, Seok-Gyu's criticism in rhetorical viewpoint on the basis of important results of former study. This writing analyzed deeply text equivalent to stylistics among Ko, Seok-Gyu's criticism especially for this. Direction of Style is included to 'general theory of style'. Ko, Seok-Gyu's viewpoint about style can be summarized synthesis of epistemology and expression theory. He wishes to make clear style in viewpoint of physiology and psychology, and he discuss about tendency of psychologism of style. And after he discuss about gestalt psychology, correlate style with grammatical dimension of tense, aspect, mood, voice. Modern Poetry and Figure is included to 'poetic stylistics'. Ko, Seok-Gyu divides statement with pseudo-statement, and he points out that pseudo- statement helps the similar imagination by analogy. He gives poetic privilege to intuition than analogy as he compares analogy with intuition. Ko, Seok-Gyu explains to dimension of 'statement' correlating 'simile' with 'analogy', while he explains to dimension of 'pseudo-statement' correlating 'metaphor' with 'intuition'. And he connects interest about figure with metaphysical effort. We can summarize that Ko, Seok-Gyu's poetic stylistics is 'pseudo-statement-intuition-metaphor and symbol-metaphysics'.
참고문헌 (14)
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