『채털리 부인의 연인』(Lady Chatterley’s Lover): 유기적 관계의 수용과 재생
Lady Chatterley’s Lover: The Reception of an Organic Connection and a Rebirth
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
According to D. H. Lawrence, modern man suffers from a life of mechanical systems and the power of Mammon which bring about terrible dehumanization. He emphasizes that human beings have to seek the vitality of lying inside nature as a real substance in order to escape death-in-life or nothingness in a mechanical life. Throughout Lady Chatterley’s Lover Lawrence contrasts the world of nature with the world of mechanical civilization, and he puts his faith in a life-force to relieve human beings from the crisis of mechanical civilization. In his work, the forest as a symbol of a living universe represents the powerful sacred world in which human beings are able to encounter another world and thus revitalize themselves. Lawrence urges human beings to live a life based not on a spiritual consciousness but on a true primitive instinct. He believes that warmhearted love with touches and tenderness within a physical union between man and woman can create a balance between mind and body as well as between nature and human beings. The sound, ideal relationship between Connie and Mellors makes them recover primitive vitality in human nature and an organic relationship. Connie, suffering from her husband’s mechanical life, wakes to a physical love; and Mellors himself returns from lonely isolation to a warmhearted love through the reception of an organic connection and a harmonious sexual union.
Abstract
According to D. H. Lawrence, modern man suffers from a life of mechanical systems and the power of Mammon which bring about terrible dehumanization. He emphasizes that human beings have to seek the vitality of lying inside nature as a real substance in order to escape death-in-life or nothingness in a mechanical life. Throughout Lady Chatterley’s Lover Lawrence contrasts the world of nature with the world of mechanical civilization, and he puts his faith in a life-force to relieve human beings from the crisis of mechanical civilization. In his work, the forest as a symbol of a living universe represents the powerful sacred world in which human beings are able to encounter another world and thus revitalize themselves. Lawrence urges human beings to live a life based not on a spiritual consciousness but on a true primitive instinct. He believes that warmhearted love with touches and tenderness within a physical union between man and woman can create a balance between mind and body as well as between nature and human beings. The sound, ideal relationship between Connie and Mellors makes them recover primitive vitality in human nature and an organic relationship. Connie, suffering from her husband’s mechanical life, wakes to a physical love; and Mellors himself returns from lonely isolation to a warmhearted love through the reception of an organic connection and a harmonious sexual union.
참고문헌 (19)
- 강미숙, "재생으로서의 성 ―Lady Chatterley’s Lover 중심으로―", 영미어문학 연구, 21(2), pp.1~24 (2005)
- 이옥, "『채털리 부인의 연인』과 『월든』 : 인간의 본질적 실상에 대한 통찰", D.H. 로렌스 연구, 13(1), pp.163~185 (2005), 한국로렌스학회
- 최희섭, "『채털리 부인의 연인』에 나타난 코니의 생명력", D.H. 로렌스 연구, 18(2), pp.103~122 (2010), 한국로렌스학회
- Alcorn, John, "The Nature Novel from Hardy to Lawrence" (1977), Columbia UP
- Buckley, William K., "Lady Chatterley’s Lover: Loss and Hope" (1993), Twayne
- Cavitch, David, "D. H. Lawrence and the New World" (1969), Oxford UP
- Daleski, H. M., "The Forked Flame: A Study of D. H. Lawrence" (1979), Indiana UP
- Daleski, H. M., "D. H. Lawrence in the Modern World", pp.90~103 (1989), Macmillan
- Draper, Round P., "D. H. Lawrence" (1964), Twayne
- Garvin, Herry R., "Makers of the Twentieth-Century Novel" (1977), Associated UP
- Lawrence, D. H., "Lady Chatterley’s Lover" (1979), Penguin
- Lawrence, D. H., "The Rainbow" (1976), Penguin
- Levine, George, "D. H. Lawrence", pp.233~237 (1986), Chelsea
- Moynahan, Julian, "D. H. Lawrence: A Collection of Critical Essays", pp.72~92 (1963), Printice
- Mudrick, Marvin, "D. H. Lawrence: A Collection of Critical Essays", pp.29~49 (1963), Printice
- Sagar, Keith, "The Art of D. H. Lawrence" (1966), Cambridge UP
- Spilka, Mark, "The Love Ethic of D. H. Lawrence" (1979), Indiana UP
- Stoll, J. E., "The Novels of D. H. Lawrence" (1971), U of Missourie P
- Swedenborg, Emanuel, "Heaven and Hell" (1971), Swedenborg Foundation