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신동엽 시의 다층적 의미 연구

A Study on the layers of the meaning in Shin, Dong-Yup's Poetry

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주제분류문학

초록

The turning process for the 20th century Korean literature is due to the harsh competition with reality and a reconciliation dialectic. As the historical and social factors were brought out into the limelight, the literature's trans-historicity, or the freedom aspect was weakened, so the social part of literature had progressed to current day as a competing reconciling process, parallel to the periods' tensing and slacking. Up until now, Korean literature was unable to perceive the divisional barrier or lacked the ability to surpass it. First, it was unable to be freed from the emotional feelings that were aimed at the Japanese colonization in Korea. After the 8.15 liberation there was the ideology confrontation from both sides, and the 6.20 Korean War, the tyranny in government, all these historical happenings gave off an energy that lasted well in to the late 20th century. Through it, we were able to know how much socialism and history the literature needed, but it is also true that the height of the mentalism needed and the ability to put in the very depth of a soul was limited. Around this time, we look back to the poet Dong-yup Shin. At one time, he was thought of as an unsettled and disorderly poet, and even to this day some of that criticism still remains. However, he had a through understanding in Korea's status at the time, and he also kept within him the mentalism to surpass it. Looking back into Dong Yup Shin's literature with a 'globalization of korean literature' perspective, his aspect of the reality contains the problems of both the individual and the nation, and even the problems of humanity itself. His space of poetry magnified into the thoughts of the universe, while putting reality as the background. Through the interests and examination of the universal origin and attributes, he showed us a way to view the world with a wide and broad sense of mind. The poetic imitations of his historical reality stood on top of the specialty of the reality of the nations, and it spread out to the majority of mankind. That shows that his poems were rooted deeply into the rich circularity which awakened the readers to show strong emotional reactions, overcoming the controversies.

Abstract

The turning process for the 20th century Korean literature is due to the harsh competition with reality and a reconciliation dialectic. As the historical and social factors were brought out into the limelight, the literature's trans-historicity, or the freedom aspect was weakened, so the social part of literature had progressed to current day as a competing reconciling process, parallel to the periods' tensing and slacking. Up until now, Korean literature was unable to perceive the divisional barrier or lacked the ability to surpass it. First, it was unable to be freed from the emotional feelings that were aimed at the Japanese colonization in Korea. After the 8.15 liberation there was the ideology confrontation from both sides, and the 6.20 Korean War, the tyranny in government, all these historical happenings gave off an energy that lasted well in to the late 20th century. Through it, we were able to know how much socialism and history the literature needed, but it is also true that the height of the mentalism needed and the ability to put in the very depth of a soul was limited. Around this time, we look back to the poet Dong-yup Shin. At one time, he was thought of as an unsettled and disorderly poet, and even to this day some of that criticism still remains. However, he had a through understanding in Korea's status at the time, and he also kept within him the mentalism to surpass it. Looking back into Dong Yup Shin's literature with a 'globalization of korean literature' perspective, his aspect of the reality contains the problems of both the individual and the nation, and even the problems of humanity itself. His space of poetry magnified into the thoughts of the universe, while putting reality as the background. Through the interests and examination of the universal origin and attributes, he showed us a way to view the world with a wide and broad sense of mind. The poetic imitations of his historical reality stood on top of the specialty of the reality of the nations, and it spread out to the majority of mankind. That shows that his poems were rooted deeply into the rich circularity which awakened the readers to show strong emotional reactions, overcoming the controversies.

참고문헌 (15)

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  2. 성민엽, "껍데기는 가라" (1984), 문학세게사
  3. 구중서, "신동엽" (1983), 온누리
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  9. 김창완, "신동엽 시의 담화 구조", 한남어문학, (20) (1995), 한남어문학회
  10. 성민엽, "민중문학론" (1984), 문학과지성사
  11. 신동욱, "신화와 원형" (1990), 고려원
  12. 릭 브느와, "징표,상징,신화" (1984), 탐구당
  13. 아지자 ․ 올리비에리 ․ 스크트릭, "문학의 상징 ․ 주제 사전" (1989), 청하
  14. 크로포트킨, "어느 혁명가의 회상" (1985), 한겨레
  15. M. Eliade, "The Sacred & The Profane: The Nature of Religion" (1959), HBJ Book

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