화자지향적 텍스트로서의 시 읽기―소통 장애와 반(反)소통의 소통 전략
Reading the poetry as a text of a tendency oriented-toward the speaker―communication disorders and communication tactics as anti communication
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According to Umberto Eco, there is important distinction between the semiology of communication and the semiology of signification. for instance, it means that the semiology of communication without the semiology of signification can not accomplish. However, it is impossible that the semiology of signification departed from the semiology of communication. More and more difficult to communicate, more and more increase the blank of the interpretation. When the system of signification as independent construction free from the mechanism of communication, the poetry is suddenly born like a lotus flower what rise inside the pond. from this time the drama begins with symbol and metaphor to explain about silent poetry. The poetry belongs to the text oriented toward the speaker what is the closed and unfamiliar, ambiguous thing. This essay is aimed to prove the identity of the poetry on the speaker's side by looking at the four class of the poetry include the lyric, unintelligible, meaningless, and confessional poetry represented in order the poet Kim So Wall, Lee Sang, Kim Chun Soo, Kim Soo Young. The peculiarity of poetic language makes the poetry difficult things. the poetry means one thing, simultaneously means another thing. The poetry makes special communication style through the lack of communication. It is communication tactics of the poetry that discovered in the pond of anti-communication. It is possible to classify the genre of poetry by degree of the communication tactics and the open stage of the communication. The language of the poetry is flight and jumping. Internal and mysteric tendency of the poet makes the poetry abundant. The poetry is the text limitless in its enjoyment. The poetry creates more and more mysterious symbol through internal persona. This mystery of the creative poetry makes prosperous intention to prove it. The poetry is the text mixed with centrifugal force and centripetal force. The poetry as a text of a tendency oriented-toward the speaker make possible infinite creation and it is always the open text to various or spontaneous approach for it.
Abstract
According to Umberto Eco, there is important distinction between the semiology of communication and the semiology of signification. for instance, it means that the semiology of communication without the semiology of signification can not accomplish. However, it is impossible that the semiology of signification departed from the semiology of communication. More and more difficult to communicate, more and more increase the blank of the interpretation. When the system of signification as independent construction free from the mechanism of communication, the poetry is suddenly born like a lotus flower what rise inside the pond. from this time the drama begins with symbol and metaphor to explain about silent poetry. The poetry belongs to the text oriented toward the speaker what is the closed and unfamiliar, ambiguous thing. This essay is aimed to prove the identity of the poetry on the speaker's side by looking at the four class of the poetry include the lyric, unintelligible, meaningless, and confessional poetry represented in order the poet Kim So Wall, Lee Sang, Kim Chun Soo, Kim Soo Young. The peculiarity of poetic language makes the poetry difficult things. the poetry means one thing, simultaneously means another thing. The poetry makes special communication style through the lack of communication. It is communication tactics of the poetry that discovered in the pond of anti-communication. It is possible to classify the genre of poetry by degree of the communication tactics and the open stage of the communication. The language of the poetry is flight and jumping. Internal and mysteric tendency of the poet makes the poetry abundant. The poetry is the text limitless in its enjoyment. The poetry creates more and more mysterious symbol through internal persona. This mystery of the creative poetry makes prosperous intention to prove it. The poetry is the text mixed with centrifugal force and centripetal force. The poetry as a text of a tendency oriented-toward the speaker make possible infinite creation and it is always the open text to various or spontaneous approach for it.
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