한국시와 시적 아나키
Korean poetry and Poetic anarchy
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This paper aims to clarify the aesthetic principles of Korean poetry through the notion of poetic anarchy by which the concepts of Politics and Science & Information Theory is applied to Poetics. Poetic anarchy refuses to organize poetic words centered on single senses, thereby denoting the aesthetic state of entropy that represents a positive affirmation of disorder and chaos. The aspect of Poetic anarchy in Korean poetry is found in Yi Sang's poetry. It becomes to be concretized, in terms of theory, by Chun-soo Kim's nonsense poetics. Those poems which exercise poetic anarchy engage in a positive accumulation of redundant senses (or sense information) and undergo their self-organization. This tendency is not difficult to observe in Korean Contemporary Poetry. It is illustrated in this article with special reference to Su-myong Lee and Jae-hak Jung.
Abstract
This paper aims to clarify the aesthetic principles of Korean poetry through the notion of poetic anarchy by which the concepts of Politics and Science & Information Theory is applied to Poetics. Poetic anarchy refuses to organize poetic words centered on single senses, thereby denoting the aesthetic state of entropy that represents a positive affirmation of disorder and chaos. The aspect of Poetic anarchy in Korean poetry is found in Yi Sang's poetry. It becomes to be concretized, in terms of theory, by Chun-soo Kim's nonsense poetics. Those poems which exercise poetic anarchy engage in a positive accumulation of redundant senses (or sense information) and undergo their self-organization. This tendency is not difficult to observe in Korean Contemporary Poetry. It is illustrated in this article with special reference to Su-myong Lee and Jae-hak Jung.
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