미국 언어시 - 비지시성의 책략과 삶의 개방성
American Language Poetry: Its Strategy of Referential Opaqueness and Openness of Life
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This paper is an effort to elucidate some characteristics of American language poetry. It will first examine how language poets write difficult poems for political purposes differently from modernist poets. Secondly, it will look into some causes for which they deliberately ignore traditional genres to compose a hybrid of poetry and prose. And thirdly, it will clarify that their poetry pursues singularities rather than a structural core, realizing their anti-reductionist impulse. The strategy of referential opaqueness, on which language poets heavily rely, will be considered as effective in breaking the capitalistic logic of mainstream culture and extending the openness of life. Language poets are unlikely to be acclaimed by general readers, but their poetry still seems to successfully reflect the conditions of postmodernist society. To approach their poetry, we have to be ready to understand language, the world, and the self in a very radical way. As much as language poetry upsets established notions of them, it contributes to the openness of life.
Abstract
This paper is an effort to elucidate some characteristics of American language poetry. It will first examine how language poets write difficult poems for political purposes differently from modernist poets. Secondly, it will look into some causes for which they deliberately ignore traditional genres to compose a hybrid of poetry and prose. And thirdly, it will clarify that their poetry pursues singularities rather than a structural core, realizing their anti-reductionist impulse. The strategy of referential opaqueness, on which language poets heavily rely, will be considered as effective in breaking the capitalistic logic of mainstream culture and extending the openness of life.
참고문헌 (44)
- Altieri, Charles, "Some Problems about Agency in the Theories of Radical Poetics", Contemporary Literature, 37(2), pp.207~236 (1996)
- Andrews, Bruce, "The L=A=N=G=U=A=G=E BOOK" (1984), Southern Illinois UP
- Bartlett, Lee, "What Is ‘Language Poetry", Critical Inquiry, 12(4), pp.741~752 (1986)
- Bernstein, Charles, "All the Whiskey in Heaven" (2010), Farrar, Straus and Giroux
- Bernstein, Charles, "Attack of the Difficult Poems: Essays and Inventions", pp.3~6 (2011), The U of Chicago P
- Bernstein, Charles, "L=A=N=G=U=A=G=E BOOK", pp.138~140
- Bernstein, Charles, "An Interview with Tom Beckett", The Difficulties: Charles Bernstein Issue, 2(1) (1982)
- Bernstein, Charles, "Content’s Dream: Essays 1975-1984", pp.384~410 (1986), Sun and Moon P
- Bernstein, Charles, "On Poetry, Language, and Teaching: A Conversation with Charles Bernstein", boundary, 223(3), pp.45~66 (1996)
- Bernstein, Charles, "A Poetics", pp.121~127 (1992), Harvard UP
- Bernstein, Charles, "L=A=N=G=U=A=G=E 4", pp.7~22 (1982)
- Bernstein, Charles, "Content’s Dream", pp.13~33
- Brill, Susan B, "The Radical Syntactical Forms of Language Poetry", South Central Review, 7(2), pp.54~65 (1990)
- Greer, Michael, "Ideology and Theory in Recent Experimental Writing or, the Naming of ‘Language Poetry’", boundary, 216(2-3), pp.335~355 (1989)
- Hejinian, Lyn, "My Life" (1987), Sun and Moon
- Hejinian, Lyn, "My Life" (2002), Green Integer
- Hejinian, Lyn, "My Life and My Life in the Nineties" (2013), Wesleyan UP
- Hejinian, Lyn, "My Life in the Nineties" (2003), Shark Books
- Hejinian, Lyn, "Women and Language", pp.134~143 (1984)
- Ivry, Jonathan, "he Memoirist as Collector: Lyn Hejinian’s My Life and Walter Benjamin’s A Berlin Chronicle", ANQ, 20(2), pp.47~53 (2007)
- Howe, Susan, "My Emily Dickinson" (1985), New Directions
- Howe, Susan, "Singularities" (1990), Wesleyan UP-UP of New England
- Lazer, Hank, "Opposing Poetry", Contemporary Literature, 30(1), pp.142~150 (1989)
- Mac Low, Jackson, "L=A=N=G=U=A=G=E 4", pp.23~26 (1982)
- Messerli, Douglas, "Poetries" (1987), New Directions
- Middleton, Peter, "Language Poetry and Linguistic Activism", Social Text, 25-26, pp.242~253 (1990)
- Nicholls, Peter, "Unsettling the Wilderness: Susan Howe and American History", Contemporary Literature, 37(4), pp.586~601 (1996)
- Perelman, Bob, "The First Person", Hills, 6-7, pp.147~165 (1980)
- Perelman, Bob, "The Marginalization of Poetry: Language Writing and Literary History", pp.3~10 (1996), Princeton UP
- Perelman, Bob, "Parataxis and Narrative: The New Sentence in Theory and Practice", The Marginalization of Poetry, pp.59~78
- Perloff, Marjorie, "Ca(n)non to the Right of Us, Ca(n)non to the Left of Us: A Plea for Difference", New Literary History, 18(3), pp.633~656 (1987)
- Perelman, Bob, "The Dance of the Intellect: Studies in the Poetry of the Pound Tradition", pp.215~238 (1985), Cambridge UP
- Silliman, Ron, "Aesthetic Tendency and the Politics of Poetry: A Manifesto", Social Text, 19-20, pp.261~275 (1988)
- Silliman, Ron, "The L=A=N=G=U=A=G=E Book", pp.121~132
- Silliman, Ron, "Dennis Tedlock and Jerome Rothenberg", pp.104~120 (1975)
- Silliman, Ron, "The L=A=N=G=U=A=G=E BOOK", pp.167~168
- Silliman, Ron, "The New Sentence", pp.63~108 (1987), Roof Books
- Silliman, Ron, "L=A=N=G=U=A=G=E 4", pp.52~65 (1982)
- Silliman, Ron, "Tjanting" (1981), The Figures
- Watkin, William, "The Poetics of Presentation: Lyn Hejinian’s My Life Project and the Work of Giorgio Agamben", Textual Practice, 27(2), pp.225~248 (2013)
- 양균원, "“공적 시 문화”에 대한 난해시의 공격: 찰스 번스틴", 영미문학교육, 18(3), pp.61~92 (2014), 한국영미문학교육학회
- 양균원, "개방의 장으로서의 역사와 현실―수전 하우", 현대영미시연구, 21(1), pp.31~71 (2015), 한국현대영미시학회
- 양균원, "“종결에 대한 거부”와 시인의 삶 - 린 헤지니언", 영어영문학21, 28(4), pp.91~115 (2015), 21세기영어영문학회
- 양균원, "문장과 문장 사이: 론 실리먼의 『찬팅』", 현대영미시연구, 22(2), pp.139~182 (2016), 한국현대영미시학회
