고은 시의 공간소재와 미의식 연구 —『조국의별』(1984) ~『 내변방은어디갔나』(2011)를중심으로
A Study on Space and Aesthetic Consciousness in Ko Un’s Poetic World —A case study from Homeland Stars(1984) to Where Has My Frontier Gone(2011)
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Wandering is a journey started from groping self-identity as a poet tofinding the social and historical meanings to KoUn. His poetic worldwhich began from the war-torn ruins once was associated with Moderndesign, but later modified by Realistic creativity. In 1980s, the time ofdesire for democratization, multifarious dimensions of space had beenappeared as subjects in his poems; this is a fruit of his will to self-affirmas a poet, rather to connect personal dimension and public dimension. ‘Moving’is realization for the fluid nature of life and conscious expressionabout ‘cannot be settle in’to KoUn. Wandering is not a play or anamusement, but an absolute calling to respond his self-granted order andresponsibility to him, and this calling can be explained by his poeticdiscovery and condensation about nomadic world view composedhistorically. He has longed for a new birth as a poet through poetic materializationabout diverse regions. He has moved from ‘I write, therefore I am’to‘ Igo, therefore I am written.’It is no more than a desire of self-affirmation for a‘ poem by feet’. KoUn, whose poetic otology is materialized throughdiverse levels of space as a subject, will be recorded a poet finding verydistinctive poetic discovery.
Abstract
Wandering is a journey started from groping self-identity as a poet tofinding the social and historical meanings to KoUn. His poetic worldwhich began from the war-torn ruins once was associated with Moderndesign, but later modified by Realistic creativity. In 1980s, the time ofdesire for democratization, multifarious dimensions of space had beenappeared as subjects in his poems; this is a fruit of his will to self-affirmas a poet, rather to connect personal dimension and public dimension. ‘Moving’is realization for the fluid nature of life and conscious expressionabout ‘cannot be settle in’to KoUn. Wandering is not a play or anamusement, but an absolute calling to respond his self-granted order andresponsibility to him, and this calling can be explained by his poeticdiscovery and condensation about nomadic world view composedhistorically. He has longed for a new birth as a poet through poetic materializationabout diverse regions. He has moved from ‘I write, therefore I am’to‘ Igo, therefore I am written.’It is no more than a desire of self-affirmation for a‘ poem by feet’. KoUn, whose poetic otology is materialized throughdiverse levels of space as a subject, will be recorded a poet finding verydistinctive poetic discovery.
참고문헌 (35)
- 고은, "조국의 별" (1984), 창작과비평사
- 고은, "전원시편" (1988), 민음사
- 고은, "시여, 날아가라" (1986), 실천문학사
- 고은, "네눈동자" (1988), 창작과비평사
- 고은, "아침이슬" (1990), 동아
- 고은, "해금강" (1991), 한길사
- 고은, "거리의노래" (1991), 한국문학사
- 고은, "선시뭐냐" (1991), 청하
- 고은, "내일의노래" (1992), 창작과비평사
- 고은, "아직가지않은길" (1993), 현대문학사
- 고은, "독도" (1995), 창작과비평사
- 고은, "어느기념비" (1997), 민음사
- 고은, "속삭임" (1998), 실천문학사
- 고은, "남과북" (2000), 창작과비평사
- 고은, "두고온시" (2002), 창작과비평사
- 고은, "늦은노래" (2002), 민음사
- 고은, "부끄러움가득" (2006), 시학
- 고은, "허공" (2008), 창작과비평사
- 고은, "내변방은어디갔나" (2011), 창비
- 고은, "나는격류였다", pp.281~ (2010), 서울대출판부
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- 한원균, "고은 시의 ‘누이 콤플렉스’ 극복 과정", 한국문예창작, 6(2), pp.61~85 (2007), 한국문예창작학회
- 한원균, "비평의거울" (2002), 청동거울
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- 한원균, "시적 진실과 정치적 진실 －고은,『 우주의사투리』에 나타난 내면성 연구", 한국문예창작, 9(2), pp.67~86 (2010), 한국문예창작학회
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