현존의 기록으로 본 공연 영상의 한계와 가능성 : NT Live의 <제인 에어(Jane Eyre)>를 중심으로

Abstract

Through the pandemic, the performance videos have grown in importance more than ever. There have been multiple discussions about “liveness” in the performance video and the performance. But it is necessary to focus more on the specific characteristics of the performance that are difficult to be captured in the videos in order to more accurately grasp the difference between the performance itself and the recorded video. The co－existence of performers and audiences and the resulting “feedback loop” suggest a clear difference between the performance and the performance video. The video does not have these characteristics, but it can record them faithfully by focusing on the result of a certain performance. In the case of NT Live's “Jane Eyre”, the existence of the performer in the performance and the feedback loop that occurred between the performer and the audience during a performance were faithfully recorded. Although the fact that there is no co－existence is still a limitation, there is also the possibility to supplement this by providing a different view only possible in the performance video. Through a faithful record and a new type of view, the performance video can have its own potential to induce the audience of the performance video to receive the cognitive stimulus of the audience in the theater and to infer its meaning.