푸코(M. Foucault)와 포사이드(W. Forsythe)의 ‘헤테로토피아’ 논의
Discourses On the ‘Heterotopia’ of M. Foucault and W. Forsythe
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This paper is a comparative study of M. Foucault’s idea of ‘heterotopia’ with William Forsythe’s dance work which has the same title heterotopia (2006) to figure out the influences of Foucault’s idea on Forsythe’s work and the differences between the two. I discuss the way of ‘thinking in different’ in the process of explaining the influences of Foucault’s idea on Forsythe’s work and study Forsythe’s continuously vanishing moments of movement which offers a redefinition of dance as the process of embodied disappearance. In conclusion, as Forsythe said himself, Foucault was useful to start something. But It was not useful to finish it. Thus Foucault’s ideas were very suggestive in terms of procedure of experimenting Forsythe’s insatiable and awesome intellectual curiosity.
Abstract
This paper is a comparative study of M. Foucault’s idea of ‘heterotopia’ with William Forsythe’s dance work which has the same title heterotopia (2006) to figure out the influences of Foucault’s idea on Forsythe’s work and the differences between the two. I discuss the way of ‘thinking in different’ in the process of explaining the influences of Foucault’s idea on Forsythe’s work and study Forsythe’s continuously vanishing moments of movement which offers a redefinition of dance as the process of embodied disappearance. In conclusion, as Forsythe said himself, Foucault was useful to start something. But It was not useful to finish it. Thus Foucault’s ideas were very suggestive in terms of procedure of experimenting Forsythe’s insatiable and awesome intellectual curiosity.
참고문헌 (12)
- 푸코, 미셀, "말과 사물" (2012), 민음사
- Spier, Steven, "William Forsythe and the Practice of Choreography" (2011), Routledge
- 김말복, "니체의 이성비판과 20세기 현대 춤의 반향", 무용예술학연구, 54(3), pp.1~19 (2015), 한국무용예술학회[DOI]
- 김말복, "컨템포러리 댄스의 몸", 무용예술학연구, 34(34), pp.1~27 (2011), 한국무용예술학회
- 나일화, "컨템퍼러리 댄스에 나타난 신체확장과 의미 - 제롬 벨, 앙젤렝 프렐조카주, 자비에르 르 로이의 작품을 중심으로", 무용예술학연구, 57(6), pp.69~87 (2015), 한국무용예술학회[DOI]
- 이선형, "<헤테로토피아>의 탈경계성", 드라마 연구, (44), pp.63~89 (2014), 한국드라마학회
- 장세룡, "헤테로토피아: (탈)근대 공간 이해를 위한 시론", 대구사학, 95, pp.285~317 (2009), 대구사학회
- 허경, "미셸 푸코의 ‘헤테로토피아’ - 초기 공간 개념에 대한 비판적 검토", 도시인문학연구, 3(2), pp.233~267 (2011), 도시인문학연구소
- Cooke, Jacquelin, "Heterotopia: Art Ephemera, Libraries and alternative Space", Art Documentation: Journal of the Art Libraries Society of North America, 2592, pp.34~39 (2006)
- Huschka, Sabine, "Media-Bodies: Choreography as Intermedia Thinking Through in the Work of William Forsythe", Dance Research Journal, 42(1), pp.62~72 (2010)
- Platt, Ryan, "Forsythe’s Box", PAJ: a Journal of Performance and Art, 31(1), pp.1~15 (2009)
- Vass-Rhee, Freya, "Auditory Turn: W. Forsythe’s Vocal Choreography", Dance Chronicle, 33(3), pp.388~413 (2010)