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크리스탈 파이트의 작품에서 나타난 움직임 내러티브 탐구 - 「트라우마, Betroffenheit」, 「성명서, The Statement」를 중심으로 -

An Exploration of Movement Narrative in Crystal Pite’s Dance Works - Focused on 「Betroffenheit」, 「The Statement」 -

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The purpose of this study is to establish the concept of narrative in dance, and to explore the function of‘movement narratives’ and the possibility of dramatic speech by analyzing Crystal Pite’s representativeworks 「Betroffenheit」(2015) and 「The Statement」(2016). In order to understand the concept of narrative, this study refers to research in other art fields. Theanalysis of the work is centered on the video, the interview of the fight, and the critic’s review of thework. Dance has a fundamental relationship with human desire for narrative, and the movements of dancersare also one of the narrative systems. From this point of view, the study is to lay the foundation for a studyseeking a new narrative strategy in dance through the work of Crystal Pite.

Abstract

The purpose of this study is to establish the concept of narrative in dance, and to explore the function of‘movement narratives’ and the possibility of dramatic speech by analyzing Crystal Pite’s representativeworks 「Betroffenheit」(2015) and 「The Statement」(2016). In order to understand the concept of narrative, this study refers to research in other art fields. Theanalysis of the work is centered on the video, the interview of the fight, and the critic’s review of thework. Dance has a fundamental relationship with human desire for narrative, and the movements of dancersare also one of the narrative systems. From this point of view, the study is to lay the foundation for a studyseeking a new narrative strategy in dance through the work of Crystal Pite.

참고문헌 (16)

  1. 김기화, "무용의 스토리텔링 구조연구", 한국콘텐츠학회 논문지, 12(1), pp.265~274 (2012), 한국콘텐츠학회
  2. 나병철, "모더니즘과 포스트 모더니즘을 넘어서" (1999), 소명출판
  3. 배혜영, "Susanne K. Langer의 예술상징론을 통한 무용의 미적 연구", 대한무용학회 논문집, 62(62), pp.103~117 (2010), 대한무용학회
  4. 신상미, "인간은 왜 춤을 추는가" (2010), 이화여자대학교출판부
  5. 안혜원, "무용음악의 고유성과 역할", 한국무용교육학회지, 26(4), pp.113~125 (2015), 한국무용교육학회
  6. 이주영, "재현의 관점에서 본 예술과 실재의 관계", 미학예술학연구, 22, pp.5~38 (2005), 한국미학예술학회
  7. 이지선, "신체적 사고: 윌리엄 포사이드의 안무 오브제 개념에 관한 고찰", 무용예술학연구, 62(5), pp.1~16 (2016), 한국무용예술학회[DOI]
  8. 이지원, "현대춤에 나타난 내러티브(narrative) 재현과의미 분석 -제롬 벨의 「베로니크 드와노 Veronique Doisneau」를 중심으로-", 대한무용학회 논문집, 72(2), pp.113~134 (2014), 대한무용학회
  9. "고통에 대한 처절한 희망_베트로펜하이트" (2020)[URL]
  10. "키드 피봇 무용단 홈페이지" (2023)[URL]
  11. 한지영, "댄스 다큐멘터리 영화 「댄싱 베토벤 Dancing Beethoven 」(2016)의 내러티브 분석을 통한 댄스필름 논의", 무용예술학연구, 71(4), pp.1~26 (2018), 한국무용예술학회[DOI]
  12. "BETROFFENHEIT (Review) — Kidd Pivot and The Electric Company" (2018)[URL]
  13. "Crystal Pite - interview - A Story of Trauma, With Choreographer Crystal Pite" (2015)[URL]
  14. Pull Cobley, "내러티브" (2013), 서울대학교출판문화원
  15. Roland Barthes, "Introduction to the Structural Analysis of Narratives: Image Music Text Essays" (1977), HarperCollins
  16. "10 essential films from the “non-narrative” genre" (2022)[URL]

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