댄스 다큐멘터리 영화 「댄싱 베토벤 Dancing Beethoven 」(2016)의 내러티브 분석을 통한 댄스필름 논의
Discuss Dance Films Through Narrational Analysis of The Dance Documentary Film Dancing Beethoven(2016)
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초록
The purpose of this study is to analyze the narratives of dance documentary film Dancing Beethoven (2016) and to see what aesthetic discourse can be elicited by using “documentary film” expressions. To achieve it, I examines the characteristics of dance documentary films within the context of dance film theoretically and the narratives in analytical methods. Specifically Dancing Beethoven is analyzed in three aspects: “objective subject”, “composition method” and “photography and editorial methods.” The three analytical axes span the historical and expressive aspects of documentaries and cinematic arts, while penetrating the layers of images and stories in the dance. The find this study, The film is not just to simply recording dancing, the film was re-contextualizing dance with cinematic techniques. In addition, various shorts and angles were used to capture the dynamics and spectacles of the dance, and it is observed that the dance text is expanded through editing process using images both inside and outside the stage.
Abstract
The purpose of this study is to analyze the narratives of dance documentary film Dancing Beethoven (2016) and to see what aesthetic discourse can be elicited by using “documentary film” expressions. To achieve it, I examines the characteristics of dance documentary films within the context of dance film theoretically and the narratives in analytical methods. Specifically Dancing Beethoven is analyzed in three aspects: “objective subject”, “composition method” and “photography and editorial methods.” The three analytical axes span the historical and expressive aspects of documentaries and cinematic arts, while penetrating the layers of images and stories in the dance. The find this study, The film is not just to simply recording dancing, the film was re-contextualizing dance with cinematic techniques. In addition, various shorts and angles were used to capture the dynamics and spectacles of the dance, and it is observed that the dance text is expanded through editing process using images both inside and outside the stage.
참고문헌 (21)
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