文化转型与当代中国文学的“三元”构成
The Cultural Transformation and Three Constituent Parts of Chinese Contemporary Literature
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20世纪90年代开始，在历史与现实诸多因素推动下，当代中国大陆日益明显地呈 现出了文化转型的趋向。与此相关，文学也由原来封闭僵硬的一种文学，发展和演 变成主流意识形态文学、精英文学与大众文学同时并存的“三元”文学，而显得丰富复 杂，形成了前所未有的“三分天下”的格局。这“三元”文学与文学的“三元”，一方面，它 们既分化又互地融会在一起，构成了一个多极角逐又多元共存的互动矛盾关系, 另 一方面，又都身不由己地被置于市场经济的大潮之中，受到文化市场的调控。这种 状况，在对中国文学提出挑战的同时，也为它的创新和发展提供了很好的际遇。
Abstract
Under the influence of historical and realistic factors, cultural transformation has been taken place regularly in the mainland since 1990s’. Meanwhile, the Chinese Contemporary Literature has divided into three parts,namely mainstream ideology literature, elite literature, and popular literature.Those different literary forms not only construct an interact relationship of multipolar competition and pluralistic coexistence, but also deeply impacted by the cultural market. We consider this unique situation both challenge and opportunity for the development of Chinese Contemporary Literature
참고문헌 (2)
- 周宪, "当前文化趣味的社会学分析", 文艺理论研究, (5) (1995)
- 陈平原, "学者的人间情怀" (1995), 珠海出版社