일응스님 범패의 융합적 세계

Abstract

This thesis is a study on the process of characterizing and hand down of a monk's chants Beompae(梵唄) through Ven Ileung's life on the condition of Korean Buddhist society and tradition. For this study, I met his students and colleagues whole area of Korea and recorded the evidences. After that I recorded his songs on western music notation and analysed it. Ven Ileung was born on 1920 in Jeonju of Jeolla province, died on 2003 in Seoul. That days on Korea history was the convulsions period under Japan's colonial rule , before and after Korean war, so Buddhist monks should be experienced their fragmentation. Ven Ileung became a monk 1931(his age was 11) learned and exercised the songs and dancing in the Buddhist ritual, it was Woanje style of the Jeolla province. After 5 years he went to Seoul to learn Geonggi style chants for his advanced song. At one time, He return to secular society to escape from the fragmentation of Buddhist monk's society and school. At that time he acted as a singer of Sijo a kind of Korean traditional lyric song also learned Gayagum(Korean 12 stringed Zither) Sanjo and the rhythm of drum. After several years, he came back to be a monk and harder to exercise Buddhist ritual song and dancing for ceremony service then before. The result he could get the accredit as his songs and dancing and became a initiator of the Korea important intangible cultural property No 50 in Seoul. After that He went to his home town Jeolla province and instruct his students Buddhist ritual and song and dancing. By his effort his students could became initiators of Jeolla province intangible cultural property. The analysis of his various chants is that some time there were falsetto voice on high pitched melody, it is came from Korean traditional lyric song Sijo. Some time there were a vocalization like Jeolla province fork song mostly on low pitched melody, it is due to his home town jeolla's fork song style. But his song is more purified and collected the pitch and interval of his melody then his students and colleagues in Jeolla district, it is because of that he learned and acted in Seoul. Especially when he song Hoacheong, song very delicate emotionally and express rhythmically, it is influenced by Gayagum Sanjo and Korean traditional rhythm pattern of drum. Given his life, acting of Buddhist ritual and 10the feature of his Buddhist song Beompae, the character is in the fusion and harmonious condition with Seoul and region, the religious sprit and layperson music. The noteworthy on his songs is the temperance of emotional expression and dignified vocal although receptive of the common musical skill. It is the most virtue on his songs.