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그리스인 프로메테우스의 아랍 여행 -프로메테우스 신화 차용과 아랍적 변용-

A Journey of the Greek Prometheus to the Arab -Borrowing from the Myth of Prometheus and Its’ Arabic Transformation-

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키워드

주제분류학제간연구

초록

Many Greek myths were borrowed in the lots of Arabic poems in modern times. In fact the Greek myths were tabooed because of their gods’ tales. In the Arabic poetry built up on Islam that believes in the Only God Allah,another gods were naturally tabooed. Meantime some poets in the beginnings of twenties introduced the Greek myths in their poems. But the full-scaled start was from the 1950’s Tammuzian poets who wrote their many poems by the myths and prototypes having the image of the death and revival. They want to express their own and their countrymen’s hopes for the revival from their collapse and hopelessness through the Greek myths of the death and revival. Especially, some poets borrowed some images from the myth of Prometheus. They were the Tusian poet Abu al-Qasim al-Shabbi, the Iraqi poet Abdu al-Wahab al-Bayyati, and the Palestinian-Iraqi poet Jabra Ibrahim Jabra. First, Shabbi expressed his own sufferings of his heart disease and his counterforces through Prometheus’ eternal punishment and his pecked liver. And also he borrowed the image of the air king from the eagle of Zeus and declared to live as a grand-looking person like an eagle. Next, Bayyati borrowed the image of chained Prometheus to express the suppressed freedom of Iraq. And hetook the cruel image of the eagle which pecked the liver of Prometheus to show the dictatorship and his puppets which suppressed himself and his countrymen through the terrorism. Finally, Jabra borrowed the sacrifice and endure of Prometheus which stole the fire from Zeus and after that was punished to the endless pain but didn’t regret at all. And it’s to symbolize the unyielding resistance of Algerians which resisted against the French trusteeship for 130 years. And also he borrowed the Zeus to show the terror and extortion of the French imperialism and borrowed the eagle of Zeus’ errand to express the cruel puppet government of the French imperialism. Like this some modern Arabic poets effectively and successfully expressed their sufferings and the hope for their life through the myth of Prometheus.

Abstract

Many Greek myths were borrowed in the lots of Arabic poems in modern times. In fact the Greek myths were tabooed because of their gods’ tales. In the Arabic poetry built up on Islam that believes in the Only God Allah,another gods were naturally tabooed. Meantime some poets in the beginnings of twenties introduced the Greek myths in their poems. But the full-scaled start was from the 1950’s Tammuzian poets who wrote their many poems by the myths and prototypes having the image of the death and revival. They want to express their own and their countrymen’s hopes for the revival from their collapse and hopelessness through the Greek myths of the death and revival. Especially, some poets borrowed some images from the myth of Prometheus. They were the Tusian poet Abu al-Qasim al-Shabbi, the Iraqi poet Abdu al-Wahab al-Bayyati, and the Palestinian-Iraqi poet Jabra Ibrahim Jabra. First, Shabbi expressed his own sufferings of his heart disease and his counterforces through Prometheus’ eternal punishment and his pecked liver. And also he borrowed the image of the air king from the eagle of Zeus and declared to live as a grand-looking person like an eagle. Next, Bayyati borrowed the image of chained Prometheus to express the suppressed freedom of Iraq. And hetook the cruel image of the eagle which pecked the liver of Prometheus to show the dictatorship and his puppets which suppressed himself and his countrymen through the terrorism. Finally, Jabra borrowed the sacrifice and endure of Prometheus which stole the fire from Zeus and after that was punished to the endless pain but didn’t regret at all. And it’s to symbolize the unyielding resistance of Algerians which resisted against the French trusteeship for 130 years. And also he borrowed the Zeus to show the terror and extortion of the French imperialism and borrowed the eagle of Zeus’ errand to express the cruel puppet government of the French imperialism. Like this some modern Arabic poets effectively and successfully expressed their sufferings and the hope for their life through the myth of Prometheus.

참고문헌 (12)

  1. 임병필, "압둘와합 알바야티 연구", 아랍어와 아랍문학, 5 (2001), 한국아랍어ㆍ아랍문학회
  2. 임병필, "자브라 이브라힘 자브라의 아랍시 비평과 신화사용에 관한 연구", 지중해지역연구, 7(2), pp.237~258 (2005), 지중해지역원
  3. 임병필, "튀니지 아폴로 시인 아부 알까심 알샵비의 전통 고수와 서구 모더니티 수용 양상 연구 - 주제와 형식의 낭만성과 신고전성을 중심으로", 한국중동학회논총, 32(1), pp.279~310 (2011), 한국중동학회
  4. Allen, Roger, "Modern Arabic Literature" (1987), The Ungar Publishing Company
  5. Badawi M. M., "A Critical Introduction to Modern Arabic Poetry" (1975), Cambridge University Press
  6. Jayyusi S. K., "Trends and Movements in Modern Arabic Poetry" (1977), E. J. Brill
  7. أسعد رزوق, "الأسطورة في الشعر المعاصر. الشعر التموزيون" (1959), مجلة آفاق
  8. إيليا الحاوي, "أبو القاسم الشابي: شاعر الحياة والموت" (1981), دار الكتاب اللبناني
  9. جبرا إبراهيم جبرا, "المدار المغلق" (1981), المؤسسة العربية للدراسات والنشر
  10. عبد الوهّاب البيّاتي, "ديوان عبد الوهّاب البيّاتي، المجلد الأول" (1990), دار العودة
  11. مجيد طراد, "ديوان أبي القاسم الشابي ورسائله" (1994), دار الكتاب العربي
  12. نزير العظمى, "التغريب والتأصيل في الشعر العربي الحديث" (1999), منشورات وزارة الثقافة

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