Keywords and Key Clusters in Shakespeare’s Love Plays: Three Love Tragedies and Three Love Comedies
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This study aims to investigate keywords and key clusters in Shakespearean love plays focusing on a group of three love tragedies(Anthony and Cleopatra, Othello, and Romeo and Juliet) and a group of three love comedies(A Midsummer Night’s Dream, As You Like It, and The Two Gentlemen of Verona). The only one shared key keyword in love tragedies and love comedies is love. Some of the key keywords in love comedies have a positive tendency, such as love, lover, lovers, sweet, wit, and love’s. By contrast, some of the key keywords in love tragedies have a negative tendency, such as dead, poison, beguil’d, death, and soldier’s. The only one shared key key cluster in love tragedies and love comedies is go with me. These results tell us that all six plays belong to the category of love plays and the characteristics of keyword and key cluster dispersion plots can distinguish tragedy plays from comedy plays.
Abstract
This study aims to investigate keywords and key clusters in Shakespearean love plays focusing on a group of three love tragedies(Anthony and Cleopatra, Othello, and Romeo and Juliet) and a group of three love comedies(A Midsummer Night’s Dream, As You Like It, and The Two Gentlemen of Verona). The only one shared key keyword in love tragedies and love comedies is love. Some of the key keywords in love comedies have a positive tendency, such as love, lover, lovers, sweet, wit, and love’s. By contrast, some of the key keywords in love tragedies have a negative tendency, such as dead, poison, beguil’d, death, and soldier’s. The only one shared key key cluster in love tragedies and love comedies is go with me. These results tell us that all six plays belong to the category of love plays and the characteristics of keyword and key cluster dispersion plots can distinguish tragedy plays from comedy plays.
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