1970년대 호스티스물의 각색 양상 연구 -<모범작문>과 <여자들만 사는 거리>를 중심으로-

Abstract

It was remembered the literature for hostess in 1970’s created a boom in the Korean literature history. Though ‘political encouragement of literature’, ‘filming the bestseller’, ‘the tendency of production for the imitation’ could explain this boom of the literature for hostess, there is no answer on the depth of the dramatization for it as the literature. In this study, it was trying to examine the dramatization condition of 「example writing」 and its movie, <the street lived only by women> and it was also trying to consider factors in this process. At first, if original literature, 「example writing」 is examined, as using the speaker, who has the various features such as different languages of surrounding persons and the ventriloquism of the capitalism, it showed the life of low rank in the city at that time. That is, it focused on the critical mind on the social reality at that time and the society of the literature. In respect of <the street lived only by women>, through the view of objective camera, as deleting the subjectivity of the speaker of the novel, descriptive expanding of it is remarkable. Especially, as using the grammar of melodrama, it was possible to express emotional sense of closeness and the familiarity in ‘the story rehabilitating bad characters’ treated by this movie, by which it didn’t expressed the troubles of hostess as the low rank of the city, but expressed ‘the discussion of the sex of modern women’,‘sexuality’, ‘drastic sexual description. It is seemed the result of this dramatization was the sensation on the censorship system, blocking the reality description at that time and was caused by the influence of ‘sex modernism’, which is mainly considered as ‘rebellious resistance discussion ’.