退溪 陶山雜詠에 나타난 興趣生活과 生態論理

Abstract

There are few studies that investigated Dosanjapyeong from the perspective of moral philosophy probably because of insufficient methodologies to deal with literature and philosophy at the same time. As long as it is a literary work, there is a need to focus on its speaker first. The speaker cultivates his human nature in Dosan of Jolbak and enjoys the excitement of moral philosophy at the stage of "Simyeoriil." His acts follow the order of "entering the scene of Jolbak → recognizing the Saengsaengjiri of Hwalbalbal deep in the heart → cultivating his own human nature according to the Saengsaengjiri of Hwalbalbal → expressing his uncontrollable joy in excitement. In his case, a series of acts becomes a process of forming excitement, which is tuned to the recognition of "Saengsaengjiri of Hwalbalbal" or "Rido" deep in the heart. The phenomenon of Rido makes the speaker even closer to the universe. As he recognizes the Saengsaengjiri of Hwalbalbal at the universe level, he becomes one with the universe, which leads to the establishment of moral philosophy-based ecological logic. Considering these circumstances, Dosanjapyeong holds its significance in two aspects: helping the readers distinguish Sari through Hwalgan and stay vigilant about Sagan and raising the status of human existence much further through the embodiment of excitement.