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Self-Fashioning in John Keats’s Early Sonnets

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Cheong, Seok Kweon. “Self-Fashioning in John Keats’s Early Sonnets.” Studies in English Language & Literature 43.4 (2017): 1-15. The purpose of this study is to explore how Keats’s concern with the poetic career is figured in his early sonnet writing, and how he fashioned his poetic self by writing sonnets, and also how the specific use of the sonnet form allegorizes the poet’s self-consciousness about his poetic career. The thesis of this study is that Keats, an apothecary with neither born nobility, nor acquired formal classical education, used the sonnet form as a vocational enclosure in which he could make a name for himself. In this study, the beginning stage of Keats’s poetic career is examined by focussing on his early sonnets, and his interaction with the contemporary older poets, especially with Wordsworth, Coleridge, and Hunt. Influences, both conscious and unconscious, provides the early Keats models to copy, to transform, and/or to transcend. (Chonbuk National University)

Abstract

Cheong, Seok Kweon. “Self-Fashioning in John Keats’s Early Sonnets.” Studies in English Language & Literature 43.4 (2017): 1-15. The purpose of this study is to explore how Keats’s concern with the poetic career is figured in his early sonnet writing, and how he fashioned his poetic self by writing sonnets, and also how the specific use of the sonnet form allegorizes the poet’s self-consciousness about his poetic career. The thesis of this study is that Keats, an apothecary with neither born nobility, nor acquired formal classical education, used the sonnet form as a vocational enclosure in which he could make a name for himself. In this study, the beginning stage of Keats’s poetic career is examined by focussing on his early sonnets, and his interaction with the contemporary older poets, especially with Wordsworth, Coleridge, and Hunt. Influences, both conscious and unconscious, provides the early Keats models to copy, to transform, and/or to transcend. (Chonbuk National University)

참고문헌 (18)

  1. Bromwich, David, "Keats’s Radicalism", Studies in Romanticism, 25, pp.197~210 (1986)
  2. Caudwell, Christopher, "Romanticism:Points of View", pp.108~124 (1975), Wayne State UP
  3. 정석권, "John Keats’s Creative Skepticism: In Relation to William Hazlitt’s and David Hume’s Ideas", 영어영문학연구, 37(2), pp.165~183 (2011), 대한영어영문학회[DOI]
  4. Coleridge, S. T, "The Poetical Works" (1907), Macmillan
  5. Curran, Stuart, "Poetic form and British Romanticism" (1986), Oxford UP
  6. De Man, Paul, "John Keats: Selected Poems", pp.ix~xxxvi (1966), Seinet
  7. Fisher, Michael, "Marxism and English Romanticism: The Persistence of the Romantic Movement", Romanticism Past and Present, 6, pp.27~46 (1982)
  8. Haydon, Benjamin Robert, "The Autobiography and Memoirs of Benjamin Robert Haydon (1706-1846)" (1926), Peter Davis
  9. Hunt, Leigh, "The Book of the Sonnet" (1867)
  10. Keats, John, "The Letters of John Keats 2 vols" (1958), Harvard UP
  11. Keats, John, "The Poems of John Keats" (1978), Harvard UP
  12. Lockhart, J. G, "Cockney School of Poetry IV", Backwood’s Edinburgh Magazine, 3(17), pp.518~524 (1818)
  13. Lowell, Amy, "John Keats. 2 vols" (1925), Houghton Mifflin
  14. Matthews, G. M, "Keats: The Critical Heritage" (1971), Routledge and Kegan Paul
  15. Rollins, Hyder, "The Keats Circle: Letters and Papers, 1816-1878. 2 vols" (1948), Harvard UP
  16. Williams, Raymond, "Culture and Society: 1780-1950" (1983), Columbia UP
  17. Woodring, Karl, "Politics in English Romantic Poetry" (1970), Harvard UP
  18. Wordsworth, William, "William Wordsworth" (1984), Oxford UP

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