John Keats’s Sonnets on the Aesthetic Experience: Consumption and Consummation
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This study aims to explore how Keats’s sonnets on the aesthetic experience figuratively represent his concern with the poetic career, that is how his consumption of aesthetic objects figures in his sonnets as his consummation of being a poet. Keats’s sonnets of aesthetic experience are in many ways allegorical, and they in subtle ways reflect on his poetic career. In a subversive way, Keats’s sonnets on aesthetic experience hybridize the poetic genres, and allegorize consumptive reading. They self-reflexively represent Keats’s capable negativity which confers art a fictional vantage point from which it criticizes the actual world. And they also self-critically reflect the translative consumption that his sonnets on aesthetic experiences consummate in a finer tone.
Abstract
This study aims to explore how Keats’s sonnets on the aesthetic experience figuratively represent his concern with the poetic career, that is how his consumption of aesthetic objects figures in his sonnets as his consummation of being a poet. Keats’s sonnets of aesthetic experience are in many ways allegorical, and they in subtle ways reflect on his poetic career. In a subversive way, Keats’s sonnets on aesthetic experience hybridize the poetic genres, and allegorize consumptive reading. They self-reflexively represent Keats’s capable negativity which confers art a fictional vantage point from which it criticizes the actual world. And they also self-critically reflect the translative consumption that his sonnets on aesthetic experiences consummate in a finer tone.
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