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재닛 윈터슨의 『몸에 새겨지다』: 메타픽션으로 읽기

A Metafictional Reading of Jeanette Winterson’s Written on the Body

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The purpose of this paper is to read Jeanette Winterson’s Written on the Body as metafiction which includes postmodern viewpoints and forms. Metafiction is specially fiction about fiction and a type of fiction which self-consciously and systematically draws attention to its status as an artifact in posing questions about relationship between fiction and reality. In this novel the first-person narrator ‘I’ attempts to write love of Louise who is his/her lover as a metaphorical text. Louise or her body is a kind of another text in the novel. He/she tries to avoid cliches and find unique and new ways in expressing his/her love of Louise. According to these efforts. ‘I’ examines various narrative strategies in order to achieve it such as forms of playwrights, medical journals and reports, introduction of the vague narrator, and open ending, etc... However, he/she couldn’t escape from existing discourses because he/she could only represent self-reflective reality. Nevertheless, its deconstructive fictional forms offer us new recognition of the world. This is the main aim of metafiction which is in accordance with postmodern standpoints as a fictional form

Abstract

The purpose of this paper is to read Jeanette Winterson’s Written on the Body as metafiction which includes postmodern viewpoints and forms. Metafiction is specially fiction about fiction and a type of fiction which self-consciously and systematically draws attention to its status as an artifact in posing questions about relationship between fiction and reality. In this novel the first-person narrator ‘I’ attempts to write love of Louise who is his/her lover as a metaphorical text. Louise or her body is a kind of another text in the novel. He/she tries to avoid cliches and find unique and new ways in expressing his/her love of Louise. According to these efforts. ‘I’ examines various narrative strategies in order to achieve it such as forms of playwrights, medical journals and reports, introduction of the vague narrator, and open ending, etc... However, he/she couldn’t escape from existing discourses because he/she could only represent self-reflective reality. Nevertheless, its deconstructive fictional forms offer us new recognition of the world. This is the main aim of metafiction which is in accordance with postmodern standpoints as a fictional form

참고문헌 (11)

  1. 강병로, "포스트모더니즘소설의 언어특징 -Thomas Pynchon의 The Crying of Lot 49를 중심으로-", 석사, 영문학과, pp.1991
  2. 구은혜, "영미 포스트모더니즘 소설과 불확정성의 시학", 현대영미소설, 9(2), pp.1~28 (2002), 한국현대영미소설학회
  3. 김경린, "알기 쉬운 포스트모더니즘과 그 주변 이야기" (1994), 문학과 사상사
  4. Andermahr, Sonya, "Jeanette Winterson" (2009), Palgrave Macmillan
  5. Heckard, Margaret, "Robert Coover, Metafiction and Freedom", Twentieth Century Literature, 22(2), pp.210~227 (1976)
  6. Maioki, Francesca, "Palimpsests: The Female Body as a Text in Jeanette Winterson’s Written on the Body", European Journal of Women’s Studies, 16(2), pp.143~158 (2009)
  7. Malpas, Simon, "Jean-Francois Lyotard" (2003), Routeledge
  8. Malpas, Simon, "포스트모더니즘을 구하라" (2008), 앨피
  9. Rubinson, Gregory J., "Body Languages: Scientific and Aesthetic Discourses in Jeanette Winterson’s Written on the Body", Critique, 42(2), pp.218~232 (2001)
  10. Winterson, Jeanette, "Written on the Body" (1994), Vintage Books
  11. Waugh, Patricia, "Metafiction: The Theory and Practice of Self-Conscious Fiction" (1996), Routledge

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