소설 형식으로 부터의 자유: 존 파울즈의 『프랑스 중위의 여자』 읽기
Freedom from the form of the Novel: Reading John Fowles's The French Lieutenant's Woman
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John Fowles's third novel, The French Lieutenant's Woman, is a work using the experimental writing technique of metafiction, and a response to the problem of modern fiction. This thesis deals with the freedom from the form of the The French Lieutenant's Woman (1969). The author explores not only the theme of the freedom of his characters, but also of the freedom of the novel form. He inserts his own intrusive commentary featuring self-reflection and the suggestion of multiple endings. Fowles as an intrusive narrator tells many things with his own voice about the hypocritical Victorian society and its convention including the cautious science and incautious religion, the corrupt politics and the immutable castes of Victorian age. Multiple ending is the device which ensures freedom from the traditional novel form. Fowles' use of the ending makes the reader, traditionally a passive spectator, participate in 'creating' the novel, interact with the story, and choose the ending which is desired by the free will of the reader.
Abstract
John Fowles's third novel, The French Lieutenant's Woman, is a work using the experimental writing technique of metafiction, and a response to the problem of modern fiction. This thesis deals with the freedom from the form of the The French Lieutenant's Woman (1969). The author explores not only the theme of the freedom of his characters, but also of the freedom of the novel form. He inserts his own intrusive commentary featuring self-reflection and the suggestion of multiple endings. Fowles as an intrusive narrator tells many things with his own voice about the hypocritical Victorian society and its convention including the cautious science and incautious religion, the corrupt politics and the immutable castes of Victorian age. Multiple ending is the device which ensures freedom from the traditional novel form. Fowles' use of the ending makes the reader, traditionally a passive spectator, participate in 'creating' the novel, interact with the story, and choose the ending which is desired by the free will of the reader.
참고문헌 (20)
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