에밀리 디킨슨의 여성 시학
Emily Dickinson’s Female Poetics
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Yoon, Miseon. “Emily Dickinson’s Female Poetics.” Studies in English Language & Literature. 37.2 (2011): 145-63. This study aims at dealing with Emily Dickinson’s female poetics. The notion of a female poetics emerges from women’s own experience of literature and women’s ways of knowing and focuses on how and what the female writer creates. Understanding female experience comes to be integral to the interpretation of Dickinson’s poetry. Dickinson‘s poetry can be studied in the light of female poetics because she has been regarded as the originator of American poetry by Adrienne Rich and Suzanne Juhasz. Dickinson decided not to have her poems published because she did not want to conform to an editor’s directions. She belittled the value of publication and included her poems in letters to friends and family members, adopting the fascicles as her own form of publication to conserve her poetry in itself. She sought a new path of her own technique of poetry through dashs, ellipsis and “unfinished” last lines. Dickinson scholarship has recently proliferated with the added zest of the feminist movement in literature. This study begins with an overview of several elements of her poetics and attempts to analyze them in the light of female poetic theory. The major purpose of this study deals with certain elements of Dickinson’s female poetics, particularly style and themes. Dickinson strives to be unique among the more feminine and decorative poets of her time. So, one can develop a fuller understanding of how she defined herself as a woman poet. (Hanbat University)
Abstract
Yoon, Miseon. “Emily Dickinson’s Female Poetics.” Studies in English Language & Literature. 37.2 (2011): 145-63. This study aims at dealing with Emily Dickinson’s female poetics. The notion of a female poetics emerges from women’s own experience of literature and women’s ways of knowing and focuses on how and what the female writer creates. Understanding female experience comes to be integral to the interpretation of Dickinson’s poetry. Dickinson‘s poetry can be studied in the light of female poetics because she has been regarded as the originator of American poetry by Adrienne Rich and Suzanne Juhasz. Dickinson decided not to have her poems published because she did not want to conform to an editor’s directions. She belittled the value of publication and included her poems in letters to friends and family members, adopting the fascicles as her own form of publication to conserve her poetry in itself. She sought a new path of her own technique of poetry through dashs, ellipsis and “unfinished” last lines. Dickinson scholarship has recently proliferated with the added zest of the feminist movement in literature. This study begins with an overview of several elements of her poetics and attempts to analyze them in the light of female poetic theory. The major purpose of this study deals with certain elements of Dickinson’s female poetics, particularly style and themes. Dickinson strives to be unique among the more feminine and decorative poets of her time. So, one can develop a fuller understanding of how she defined herself as a woman poet. (Hanbat University)
참고문헌 (21)
- Cameron, Sharon, "Choosing Not Choosing: Dickinson’s Fascicles" (1992), Chicago UP
- Dickinson, Emily, "The Complete Poems of Emily Dickinson" (1982), Faber
- Dickinson, Emily, "The Letters of Emily Dickinson" (1986), Belknap-Harvard UP
- Donovan, Josephine, "Toward a Women’s Poetics, In Benstock, Feminist Issues in literary Scholarship", pp.99~109
- Franklin, Ralph W, "Manuscript Books of Emily Dickinson" (1981), Belknap-Harvard UP
- Gelpi, Albert J., "Emily Dickinson: The Mind of the Poet" (1971), Norton
- Gilbert, Sandra M., "Shakesspeare’s Sisters: Feminist Essays on Women Poets" (1979), Indiana UP
- Gilbert, Sandra M., "The Madwoman in the Attic: The Woman Writer and the Nineteenth―Century Literary Imagination", pp.583~585 (1979), Yale UP
- Juhasz, Suzanne, "The Landscape of the Spirit, Farr, Emily Dickinson: A Collection of Critical Essays", pp.130~140
- Juhasz, Suzanne, "Reading Doubly: Dickinson, Gender and Multiple Meanings, In Fast and Gordon, Approaches to Teaching Dickinson’s Poetry", pp.85~94
- Wrested Alphabet, In Benstock, Feminist Issues in Literary Scholarship, "Still Practice, A", Marcus, Jane
- Martin, Wendy, "An American Triptych: Anne Bradstreet, Emily Dickinson" (1984), U of North Carolina P
- Miller, Cristanne, "Dickinson’s Language: Interpreting Truth Told Slant, Fast & Gordon, Approaches to Teaching Dickinson’s Poetry", pp.78~84
- Miller, Nancy K., "Arachnologies: The Woman, the Text and the Critic, In The Poetics of Gender", pp.270~295
- Miller, Nancy K., "The Poetics of Gender" (1986), Columbia UP
- Moi, Toril, "Feminist, Female, Feminine, Belsey & Moore The Feminist Reader: Essays in Gender and The Politics of Literary Criticism", pp.104~132
- Rich, Adrienne, "Vesuvius at Home: The Power of Emily Dickinson, In Gilbert and Gubar, Shakespeare’s Sisters: Feminist Essays on Women Poets", pp.99~121
- Sewall, Richard B., "The Life of Emily Dickinson" (1980), Farrar
- Showalter, Elaine, "Feminist Criticism in the Wilderness, The New Feminist Criticism", pp.250~268 (1981)
- Showalter, Elaine, "Piecing and Writing", pp.222~247, The Poetics of Gender
- Smith, Martha Nell, "Rowing in Eden: Reading Emily Dickinson" (1992), Texas UP