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『지트니』 : 탈식민주의적 읽기

Jitney: A Postcolonial Reading.

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초록

August Wilson has written ten cycles plays that deal with African Americans' experiences of the twentieth century since Emancipation. Jitney is the 9th work set in 1970s among them. Jitney shows three types which are main issues of postcolonial discourse, which are the replacing of the Canon, the searching of traditional black cultures, and the correct setting of black history. The replacing of the Canon is shown through characters who deconstruct and develop blacks' stereotypes assigned by white people. The searching of traditional black cultures is shown through blues which includes the cultural responses of black people in America as a philosophical system containing ideas and attitudes of them. The correct setting of black history is shown through their independent life which characters like Youngblood and Booster build blacks' new image and help one another in black community. Jitney is the work projected for the life of universal black people, the recreation of perfect Pittsburgh, and the history by black people, for black people, and of black people.

Abstract

August Wilson has written ten cycles plays that deal with African Americans' experiences of the twentieth century since Emancipation. Jitney is the 9th work set in 1970s among them. Jitney shows three types which are main issues of postcolonial discourse, which are the replacing of the Canon, the searching of traditional black cultures, and the correct setting of black history. The replacing of the Canon is shown through characters who deconstruct and develop blacks' stereotypes assigned by white people. The searching of traditional black cultures is shown through blues which includes the cultural responses of black people in America as a philosophical system containing ideas and attitudes of them. The correct setting of black history is shown through their independent life which characters like Youngblood and Booster build blacks' new image and help one another in black community. Jitney is the work projected for the life of universal black people, the recreation of perfect Pittsburgh, and the history by black people, for black people, and of black people.

참고문헌 (18)

  1. Baker, Jr. Houston A., "Blues, Ideology, and Afro-American Literature: A Vernacular Theory" (1984), U of Chicago P
  2. Cooke, Michael G., "Afro-American Literature in the Twentieth Century: The Achievement of Intimacy" (1984), Yale UP
  3. Ellison, Ralph, "Shadow and Act" (1996), Signet
  4. Fanon, Frantz, "The Wretched of the Earth" (1967), Grove Press
  5. Gilbert, Helen, "Post-Colonial Drama: Theory, Practice, Politics" (1996), Routledge
  6. Hord, Fred Lee, "Reconstructing Memory: Black Literary Criticism" (1991), Third World Press
  7. Hughes, Langston, "Langston Hughes Reader" (1981), George Braziller
  8. Lyons, Bonnie, "An Interview with August Wilson", Contemporary Literature, 40, pp.1~21 (1999)
  9. Shafer, Yvonne, "Breaking Barriers: August Wilson, In Staging Difference: Cultural Pluralism in American Theatre and Drama", pp.267~285 (1995), Peter Lang
  10. Shannon, Sandra G., "Blues, History, and Dramaturgy: An Interview with August Wilson", African American Review, 27, pp.539~559 (1993)
  11. Shannon, Sandra G., "The Dramatic Vision of August Wilson" (1995), Howard UP
  12. Smith, Philip E., "Ma Rainey's Black Bottom: Playing the Blues as Equipment for living, In Drama Criticism. Vol 2", pp.476~482 (1992), Gale
  13. Trudeau, Lawrence J., "Drama Criticism 2" (1992), Gale
  14. Turner, Darwin T., "The Afro-American Playwright", pp.437~ (1923), Professional Theatre
  15. Wilson, August, "The Ground on Which I Stand" (2001), Theatre Communications Group
  16. Wilson, August, "Jitney" (2003), The Overlook Press
  17. Wilson, August, "I want a Black Director, In May All Your Fences Have Gates", pp.200~204 (1994), The U of Iowa P
  18. "Encyclopedia of Britannica. CD-Rom", Encyclopedia Britannica, ~ (1999)

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