혁명참여의 음악: 타흐리르 광장의 시위 노래에 관한 연구

Abstract

In this study, I tried to analyze four famous protest songs sung by Egyptian music artists in the Tahrir square in Cairo in the Arab Spring. Since protest songs have influenced the Egyptian revolution in 2011, the purpose of this research was to probe into the motifs how the music of protest songs could help the protesters being united and rallied out for the demonstrations in the Tahrir square where the anti-Mubarak demonstration occurred. For this, I examined themes and linguistic aspects of the four protest songs. The The The lyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected lyrics of the songs reflected thelyrics of the songs reflected lyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected lyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected lyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected thelyrics of the songs reflected Egyptian people Egyptian peopleEgyptian peopleEgyptian peopleEgyptian peopleEgyptian peopleEgyptian people Egyptian peopleEgyptian peopleEgyptian peopleEgyptian peopleEgyptian peopleEgyptian people’s aspirationaspirationaspirationaspirationaspirationaspirationaspirationaspirationaspirationaspiration and hopeand hope and hopeand hopeand hopeand hopeand hope for change, either in social or political for change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or political for change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or political for change, either in social or political for change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or politicalfor change, either in social or political spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the spheres, following the oustoust oustinging of Mubarak.of Mubarak. of Mubarak.of Mubarak. of Mubarak.of Mubarak.of Mubarak.of Mubarak.of Mubarak. From the linguistic perspective, I also could notice the use of rhetorical question, repetition in the protest songs. Old Egyptian traditional songs and youth hip-hops are needed to be more thoroughly analyzed in the future for the sake of completion of this research.