Tension and Meaning-Making in the Borders: Marginalia and Intermediality in MS Paris, BnF fr. 122, fol. 1
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This study examines the first folio of BnF fr. 122 to envision an intermedial approach to marginalia in medieval manuscripts. Previous scholarship has rarely treated marginalia as intermedial phenomena, despite the fact that marginalia lie at the juncture of visual and textual media. As an intermedial case study of medieval marginalia, this paper revolves around three themes: marginalia invading text (designated as “image/text”); marginalia in conflict with other images (“image/image”); and the unique meaning-making processes of marginalia. I argue that the marginalia in fr. 122, fol. 1 are not semiotically but semantically invasive of the manuscript’s text. I also hold that they resist the imperatives of the folio’s miniature—thus manifesting tensions within the same, visual medium—and that those selfsame marginalia operate according to their own logic of proliferative meaning-making.
Abstract
This study examines the first folio of BnF fr. 122 to envision an intermedial approach to marginalia in medieval manuscripts. Previous scholarship has rarely treated marginalia as intermedial phenomena, despite the fact that marginalia lie at the juncture of visual and textual media. As an intermedial case study of medieval marginalia, this paper revolves around three themes: marginalia invading text (designated as “image/text”); marginalia in conflict with other images (“image/image”); and the unique meaning-making processes of marginalia. I argue that the marginalia in fr. 122, fol. 1 are not semiotically but semantically invasive of the manuscript’s text. I also hold that they resist the imperatives of the folio’s miniature—thus manifesting tensions within the same, visual medium—and that those selfsame marginalia operate according to their own logic of proliferative meaning-making.
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