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Orpheus: Ovidian Narrative Strategies and Readership

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Ovid’s Orpheus in the Metamorphoses is an example of his clever reworking of convention and tradition. Ovid avails himself of the theme, the characters and the situations furnished by the Virgilian tradition. But, by applying narrative ingenuity to the basic story-line of Virgil’s episode, Ovid creates something new and original in terms of narrative effects. Above all, Ovid withholds the traditional sanction of his authority as narrator. He does not want his reader to be naively drawn into his narrative and to take the narrator’s words at face value, and he upholds the importance of the reader as an agent coming to grips with the meaning of a tale in his mind. In particular, Ovid’s juxtaposing of contrasting moods poses uncertainties and questions within the narrative, a device which forces the reader to view the narrative from a critical and detached perspective.

Abstract

Ovid’s Orpheus in the Metamorphoses is an example of his clever reworking of convention and tradition. Ovid avails himself of the theme, the characters and the situations furnished by the Virgilian tradition. But, by applying narrative ingenuity to the basic story-line of Virgil’s episode, Ovid creates something new and original in terms of narrative effects. Above all, Ovid withholds the traditional sanction of his authority as narrator. He does not want his reader to be naively drawn into his narrative and to take the narrator’s words at face value, and he upholds the importance of the reader as an agent coming to grips with the meaning of a tale in his mind. In particular, Ovid’s juxtaposing of contrasting moods poses uncertainties and questions within the narrative, a device which forces the reader to view the narrative from a critical and detached perspective.

참고문헌 (16)

  1. Allen, Peter, "The Structure of Orpheus’ Song: Metamorphoses X", Papers on Language & Literature, 17, pp.23~32 (1981)
  2. Anderson, William S., "Orpheus: The Metamorphoses of a Myth", pp.37~39 (1985), U of Toronto P
  3. Brewer, D. S., "Chaucer: The Poet as Storyteller" (1984), Macmillan
  4. Chaucer, Geoffrey, "The Riverside Chaucer" (1987), Houghton Mifflin Company
  5. Campbell, Thomas P., "machaut and Chaucer: Ars Nova and the Art of Narrative", Chaucer Review, 24, pp.275~289 (1990)
  6. Galinsky, Karl G., "Ovid’s Metamorphoses: An Introduction to the Basic Aspects" (1975), U of California P
  7. Fyler, John, "Chaucer and Ovid" (1979), Yale UP
  8. Hiscoe, David W., "The Ovidian Comic Strategy", Philological Quarterly, 64, pp.367~385 (1985)
  9. Hoffman, Richard L., "Ovid and the Canterbury Tales" (1966), U of Pennsylvania P
  10. Koff, Leonard Michael, "Chaucer and the Art of Storytelling" (1988), U of California P
  11. Ovid, "Metamorphoses" (1914), Harvard UP
  12. Pöschel, Viktor, "Medium Aevum Vivum: Festschrift für Walther Bulst", pp.13~21 (1960), Carl Winter
  13. Segal, Charles, "Landscape in Ovid’s Metamorphoses: A Study in the Transformations of a Literary Symbol" (1969), F. Steiner Verlag
  14. Solodow, Joseph B., "The World of Ovid’s Metamorphoses", pp.167~168 (1988), U of North Carolina P
  15. Otis, Brooks, "Ovid as an Epic Poet" (1966), Cambridge UP
  16. Virgil. Ecologues, "Georgics, Aeneid 1–6" (1914), Harvard UP

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