Ovidian Narrative and Shakespeare’s Subversion of the Genre
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Ovidian Narrative is one of the most popular literary genres marking the Elizabethan England and has a significant influence on Elizabethan writers such as Thomas Lodge, Christopher Marlowe, and William Shakespeare. When one examines Ovidian narrative as a popular genre in the sixteenth-century England, there are two directions. First, the writers such as Thomas Lodge and Christopher Marlowe follow the formal features of Ovidian narrative, in particular, the three ones outlined by William Keach: “the self-conscious presentation of an already familiar myth,” “sexual ambivalence,” and “stylistic virtuosity.” However, Shakespeare subverts and rewrites the genre in his poem Venus and Adonis. Indeed, Shakespeare subverts the genre beyond formal bounds set out by Ovidian narrative. In order to discuss the ways in which Shakespeare’s Venus and Adonis subverts the genre of Ovidian narrative, this paper examines and compares the work of Ovid himself, Metamorphoses, and the works of the key writers of Elizabethan Ovidian narratives, Lodge’s Scillaes Metamorphosis and Marlowe’s Hero and Leander. Venus and Adonis shares the same qualities with Ovid as the works of Lodge and Marlowe, but in the sense of class, gender, sexuality, and rhetoric, the poem subverts the boundaries of the genre as Ovid, Lodge, and Marlowe define them. The generic study of these poems, indeed, makes it easier to understand Elizabethan England as “social codes.”
Abstract
Ovidian Narrative is one of the most popular literary genres marking the Elizabethan England and has a significant influence on Elizabethan writers such as Thomas Lodge, Christopher Marlowe, and William Shakespeare. When one examines Ovidian narrative as a popular genre in the sixteenth-century England, there are two directions. First, the writers such as Thomas Lodge and Christopher Marlowe follow the formal features of Ovidian narrative, in particular, the three ones outlined by William Keach: “the self-conscious presentation of an already familiar myth,” “sexual ambivalence,” and “stylistic virtuosity.” However, Shakespeare subverts and rewrites the genre in his poem Venus and Adonis. Indeed, Shakespeare subverts the genre beyond formal bounds set out by Ovidian narrative. In order to discuss the ways in which Shakespeare’s Venus and Adonis subverts the genre of Ovidian narrative, this paper examines and compares the work of Ovid himself, Metamorphoses, and the works of the key writers of Elizabethan Ovidian narratives, Lodge’s Scillaes Metamorphosis and Marlowe’s Hero and Leander. Venus and Adonis shares the same qualities with Ovid as the works of Lodge and Marlowe, but in the sense of class, gender, sexuality, and rhetoric, the poem subverts the boundaries of the genre as Ovid, Lodge, and Marlowe define them. The generic study of these poems, indeed, makes it easier to understand Elizabethan England as “social codes.”
참고문헌 (18)
- Baumlin, Tita French, "The Birth of the Bard: Venus and Adonis and Poetic Apotheosis", Papers on Language and Literature, 26, pp.191~211 (1990)
- Caplan, Harry, "Ad Herennium" (1989), Heinemann
- Dollimore, Jonathan, "Political Shakespeare: Essays in Cultural Materialism. 2nd ed" (1994), Cornell UP
- Dollimore,Jonathan, "Sexual Dissidence:Augustine to Wile,Freud to Foucault" (1991), Clarendon
- Dubrow,Heather, "Genre" (1982), Methuen
- Goldberg,Jonathan, "Sodometries:Renaissance Texts,Modern Sexualities" (1992), Stanford UP
- Golding, Arthur, "The .XV. Bookes of P. Ouidius Naso, Entytuled Metamorphosis. English Experience 881" (1977), Theatrum Orbis Terrarum
- Jauss, Hans Robert, "Toward an Aesthetic of Reception" (1982), U of Minnesota P
- Keach, William, "Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe, and Their Contemporaries" (1977), Rutgers UP
- Lewis,Clive Staples, "English Literature in the Sixteenth Century Excluding Drama" (1962), Clarendon
- Lodge,Thomas, "Scillaes Metamorphosis: Enterlaced with the Vnfortunate Loue of Glaucus", Richard Jhones
- Marlowe, Christopher, "Complete Plays and Poems" (1976), Dent
- Martindale,Charles, "Ovid Renewed" (1988), Cambridge UP
- Ovid. Metamorphoses, "Frank Justus Miller. 2 vols" (1951), Heinemann
- Rollins, Hyder E, "The Renaissance in England: Non-Dramatic Prose and Verse of the Sixteenth Century" (1992), Prospect Heights, Ill
- Shakespeare, William, "The Poems" (1990), Rourledge
- Shakespeare, William, "The Riverside Shakespeare" (1974), Houghton Mifflin
- Tripp,Edward, "The Meridian Handbook of Classical Mythology" (1970), Meridian