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한국 최초의 셰익스피어 완역본 현철의 『 하믈레트 』 연구( 2 ): 텍스트 분석 및 츠보우치의 번역과의 비교

Text Analysis of Hyeon-cheol’ s Translation of Hamlet

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초록

Hyeon Cheol's translation of Hamlet is the first complete translation of a Shakespearean play in Korea. Although the text is of great historical significance in the acceptance of Shakespeare, it has never been thoroughly analyzed and compared with Tsubouchi's translation. By examining this critically, I was able to find that Hyeon Cheol did not follow Tsubouchi's version slavishly. Unlike Tsubouchi, who used an archaic tone, Hyeon Cheol translated it into a natural, everyday dialogue, easily understood by both actors and the audience. In addition, Hyeon Cheol made extensive use of localization strategy. The biggest achievement of this work is to confirm that Hyeon-cheol referred not only to Tsubouchi's translation, but also to Shakespeare’s original text at the same time, which was proven with many translations closer to Shakespeare's original text rather than Tsubouchi's. Those translations could never be produced by depending only on Tsubouchi's text.

Abstract

Hyeon Cheol's translation of Hamlet is the first complete translation of a Shakespearean play in Korea. Although the text is of great historical significance in the acceptance of Shakespeare, it has never been thoroughly analyzed and compared with Tsubouchi's translation. By examining this critically, I was able to find that Hyeon Cheol did not follow Tsubouchi's version slavishly. Unlike Tsubouchi, who used an archaic tone, Hyeon Cheol translated it into a natural, everyday dialogue, easily understood by both actors and the audience. In addition, Hyeon Cheol made extensive use of localization strategy. The biggest achievement of this work is to confirm that Hyeon-cheol referred not only to Tsubouchi's translation, but also to Shakespeare’s original text at the same time, which was proven with many translations closer to Shakespeare's original text rather than Tsubouchi's. Those translations could never be produced by depending only on Tsubouchi's text.

참고문헌 (14)

  1. 권오숙, "한국 최초의 셰익스피어 완역본 현철의 『하믈레트』 연구 — 현철의 근대극 운동과 연극론을 바탕으로 한 연극사적, 셰익스피어 수용사적 연구", Shakespeare Review, 57(1), pp.5~29 (2021), 한국셰익스피어학회[DOI]
  2. 윌리엄 셰익스피어, "하믈레트" (1923), 박문서관
  3. 윤민주, "현철의 번역희곡 연구 -「隔夜」와 「하믈레트」를 중심으로-", 어문학, (106), pp.417~449 (2009), 한국어문학회
  4. 윤민주, "현철의 「하믈레트」 번역과 그 의의", 한국극예술연구, (46), pp.15~55 (2014), 한국극예술학회[DOI]
  5. 이근희, "번역과 한국 및 일본의 근대화", 번역학연구, 8(2), pp.103~132 (2007), 한국번역학회[DOI]
  6. 하경봉, "일본 셰익스피어 공연사 연구", 석사, 연극학, pp.2003
  7. 현철, "隔夜 5幕", 개벽, 1, pp.152~158 (1920), 역사정보통합시스템
  8. 현철, "반도극계의 소야담(속)", 신민, (30), pp.53~56 (1927), 역사정보통합시 스템
  9. 현철, "世界傑作名篇, 開闢二周年記念號附錄", 개벽, (25) (1922), 역사정보통합시스템
  10. 현철, "아라두어 必要할 演劇이야기", 신여성, pp.95~102 (1924)
  11. 현철, "지나는 말", 개벽, (17), pp.148~153 (1921), 역사정보통합시스템
  12. 현철, "하믈레트" (1923), 박문서관
  13. Shakespeare, William, "Hamlet" (1990), Routledge
  14. 坪內逍遙, "ハムレット" (1909), 早稲田大学出版部

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