‘臨河九曲’의 발견과 그 江湖歌道 연구

Abstract

This paper is a study on Yag-bong(藥峯) Kim, kg-il(金克一, 1522∼1585) of ‘The Imha-Gugog(臨河九曲)’ and ‘Gang-ho-Ga-do(江湖歌道)’. The Imha-Gugog has never been reported in the academic community. This is when I didn't know who was where and how management. This paper will identify it. The name for ‘The Imha-Gugog(臨河九曲)’ is questioned for the first time in The Collected Works of his mentor Toegae Lee-hwang(退溪 李滉). He is according to the type of Joo-Hee's ‘Un-gok26song(雲谷26詠)’and ‘Muyi-Doga(武夷櫂歌)’ whenever meet to a landscape That scenery deserves to have a poem written about it. The Imha-Gugog(臨河九曲) is Joo-Hee(朱熹;1130∼1200)'s ‘Muyi-Doga(武夷櫂歌)’ and Lee hwang(李滉;1501∼1570)’s ‘The Dosan-Gugog(陶山九曲)’ has been affected. ‘Gang-ho-Ga-do(江湖歌道)’ is Neo-Confucianism seeking of a nature poems in rivers and lakes, nature, a place of seclusion. A combination of Confucian scholar and pastoral was moral culture of mind utility to natural beauty find to mountains and waters in the Choseon Dynasty period. he aesthetic consciousness of shown on a ‘The Imha-Gugog(臨河九曲)’ seek truth to natural beauty find to mountains and waters in The Imha. It was a new discovery of natural beauty. His ‘The Imha-Gugog(臨河九曲)’ work emphasizes visual images His poetry is characterized by abundant use of aural imagery. he show poem a full of local color he aesthetic consciousness of space sense to shown on a ‘The Imha-Gugog(臨河九曲)’ seek truth to natural beauty find to mountains and waters in The mountain Imha(臨河). The interior of The Honest poverty and The artless art and good nature and The a tough spirit of the classical scholar's was comprised in moral culture of mind utility of The discussion of the Moral philosophy and an Aesthetics. The aesthetics of The Honest poverty and The artless art and good nature and The principle and belief of the classical scholar's is an ideology of arts point of view to ''The Imha- a combination of Confucian scholar and pastoral.