김연수제 춘향가 연구

Abstract

Kim Yeon-Soo is a remarkable singer in the history of modern pansori, who has established “sori” consistent with Imyeon based on his pansori theory. This study has explored the aspects of composition, characteristics and aspects of transmission of Kim Yeon-Soo's Chunhyangga. The results are as follows: Kim Yeon-Soo finished writing the so-called Kim Yeon-Soo's Chunhyangga in 1967. Accepting Kim Chang-Hwan's Chunhyangga, <Okjunghwoa>, and so forth, he wrote an ideal Chunhyangga, based on his teacher Jeong Jeong-Ryel's Chunhyangga. 67.9 percent of it is the same with or similar to Jeong Jeong-Ryel's Chunhyangga, and 20.2 percent of it is the same with or similar to Okjunghwoa. Kim Yeon-Soo's Chunhyangga has the following characteristics: It is the longest Chunhyangga (about 8 hours) made on the basis of Jeong Jeong-Ryel's Chunhyangga, taking into account several other kinds of Chunhyangga. The narration is exact and rational, and shows compositional unity and epic completion. It is more like Changgeuk Chunhyangga than pansori Chunhyangga, and aniri is extended. It has received what was deleted in Jeong Jeong-Ryel's Chunhyangga, and it has a variety of jangdan compositions. Its neoremsae is realistic and dramatic. O Jeong-Sook deleted a very small part of aniri, but transmitted Kim Yeon-Soo's Chunhyangga almost as the original form. Lee Il-Joo deleted much of it, considering performance time and popularity.