황해도 진진오기굿의 연행구조와 의미

Abstract

This article is on the performance structure and its implication of Jinjinogi-gut of Hwanghaedo. The Hwanghaedo-gut is mainly performed in Seoul, Incheon and Gyeonggi today, and in particular, the Jinogi-gut that leads the deceased to heaven is frequently held. The Jinogi-gut has different named depending on when it is held after passing of the deceased, and the subject in this article is the Jinjinogi-gut that is mainly held 49 days prior to the passing of the deceased. The gut that helps to break away from sorrow and shock from the sudden passing of the deceased is the Jinjinogi-gut. In this article, the gutgeori (performance of shamanism) composition of the Jinjinogi-gut of Hwanghae-do has been sought, and it presents that <Andeunsin Gwajeonghagi> and <Youngsilgamheunggeori> are reflecting the mutually different point of view of the mansin (10 thousand gods or sometimes, female shaman) that looks at the Jinjinogi-gut. And the implication of individual gutgeori that composes the Jinjinogi-gut is formulated, and through this endeavor, the Jinjinogi-gut of Hwanghae-do has become the center of Siwang (ten underworld kings) and saja (the angel of death), and with the deceased appearing at last, it is considered to be healing of pain from departure from the death. It has presented that the sudden isolation of the deceased and the live people is made in communication through the Jinjinogi-gut, and with the gut (shaman dance) in progress to make natural separation. Consequently, the Jinjinogi-gut of Hwanghae-do has been clarified as it enhanced the understanding of death and it is the useful device to accommodate death.