안동하회별신굿 탈놀이의 지역정체성 획득 과정과 콘텐츠로서의 가치

Abstract

Andong Hahoe Byulsingut Talnori is an important cultural heritage representing Andong. It has attracted the attention of folklorists since Japanese colonial era, and has received attention from both inside and outside academia as it coincides with the reconsideration of national values and cultural nationalism. Since then, Andong Hahoe Byulsingut Talnori, which is considered to retain the stereotype of rural mask play, won the first prize at the first folk art contest in 1958, Hahoe mask was designated as a national treasure in 1964, and the Hahoe Mask Theater Research Association was formed in 1973 to solidify its position. Hahoe Byeolsingut was established as a significant cultural monument to local residents, and this ritual was developed one step further with the designation of Hahoe mask as a national treasure. Finally, Hahoebyeolsingut mask play was designated as an important intangible cultural asset (No. 69) in 1980. Based on this foundation, Hahoe Byulsingut Talnori (Hahoe Byeolsingut) was able to stand as an independent collection beyond the context of the ritual of the people of Hahoe Village. The re-declaration of Hahoe Byeolsingut Talnori and Victory on the one hand shows the pattern of modern folklore on the other, and raises the question of what to consider in the process of cultural contenting folklore on the other. The pursuit of internationalization of the Andong International Mask Dance Festival is seen as a way of breaking the original grammar or locality of the mask play itself and seeking universal fun, laughter, spectacle, and parades. In particular, the staged folk dance of foreign performers is largely used as a formal requirement, with the disappearance of the kernel of the pursuit of internationalization. One of the major changes that took place inside Hahoe Byeolsingut Talnori with the start of the Andong International Mask Dance Festival as a representative tourism and cultural content of Andong was the attempt for a permanent performance. More than 1,000 people participated in every weekend's performances, and it was a performance that left the context of Hahoe Byeolsingut, but it was a system that was naturally linked to Hahoe Village tourism as it was watched in Hahoe Village. In the midst of repeated performances, naturally improved skills and improvisation are examples that go beyond the stuffed mask dance, and it is noteworthy that not only are they valued, but they are also actively attracting foreigners to the plate, showing their strategy of attracting foreigners to recognize their lack of their lack of legitimacy. However, serious research and experiments on locality should be carried out in various ways, and the pursuit of internationalization also requires wisdom to ensure its internal stability. Only when each of these matured foundations is laid out can the value of Andong Hahoe Byeolsingut Talnori be clarified.