장홍심 바라승무와 영산재 천수바라무의 구성형식 비교

Abstract

Purpose: The purpose of this study is to provide objective data to evaluate the Baramu with different values by comparing the compositional form of Jang Hongsim's Baramu and Yeongsanjae's Cheonsubaramu. Method: Literature research method was used, and data collection was analyzed based on literature data and video data. Result: First, in terms of attire, Jang Hong-sim's baraseungmu uses white baji jeogori, haengjeon, and gokal, and wears black jangsam and red robe. Yeongsanjae Cheonsubaramu is a gray long ginseng with a red robe. Second, the composition of the music is 56 beats of JajinGutgeori gwajang and 6 beats of Gutgeori gwajang in Jang Hong-sim's Baraseungmu. Yeongsanjae Cheonsu Baramu is sung in a free rhythm of 2minutes and uses the lyrics of Shinmyo Janggu Daedarani from Cheonsu Sutra. Third, the dance moves include Jang Hong-sim's Baraseungmu and Jajin Gutgeori's 56 beats, which include crossing movements with both hands above the head, crossing movements while turning around, running with one foot on the other and striking, and seated and both Bara-Geori movements. The 8th beat of Gutgeori includes the Yeonpungdae movement that is performed while praying. Yeongsanjae Cheonsu Baramu includes a son-in-law offering both hands to the sky, an upper son-in-law with both hands crossed, a lower son-in-law with both hands crossed, a son-in-law with both hands lower and turning, and a two-hand shoulder son-in-law. Conclusion: You can learn about the attire, musical composition, and dance form of Jang Hong-sim's Baraseungmu and Yeongsanjae's Cheonsubaramu.