조선조 백자가 지닌 계(界)의 융합적 함의가치와 현상성(玄常性)의 미적규범

Abstract

Background This study seeks to explore the source of convergent implicated valueware through an investigation of the existential nature of the depth embodied in white porcelains of the Joseon Dynasty and its aesthetic private thought. The axiological problem-statement of the justification of this thesis is explained through the elements of the form, the concept of properties the signification of the spatiotemporal representation of the nature of the ridge line, which is the outline of white porcelain that acts, and the polysemy acceptability of levels. The qualification of and elucidates of shape and the embodying property, which is a mediator of carrying representation. This is because thought, as the cause that defines the being of beauty on the level of thought embodied in reality, is the unique ground that causes things to be the way they are, and because it the contents of the integrated and embodied whole. The purpose of this study is to define of the ridge line present in white porcelain, as well as the aesthetic norm of depth and the convergent implication-value, interpret the basis of the transcendental being of hyun (玄) and sang (常) and explore the legitimacy of the thesis. Methods For the method of study, conditions, premises, and norms, which are the various forms involved in conceptual judgment and inference, were applied to formal logic, where the focus is on inference of epistemological logic, and the idealistic dialectic that logically analyzes concepts and attributes. For the standard of logic and the method of implication, the Elito Method was applied to infer the value. Result The results are as follows: First: hyun (玄) and sang (常) are signified & ethos where at ceramic performing as a the legitimacy germination of the embedded properties on fundamental creativity of the transcendent white porcelain with its significant elements. Second: The aesthetic norm of depth and the elucidation of convergent aesthetic valueware identified of through the realization of the artist’s inner world, which is based on the cosmology and natural world view found in white porcelain. Third: The axiomatic secondary study of the “ridge line” examined reciprocity by demonstrating change, expansion and circulation that cross dimensions & correspond to the properties of the beyond dimensionality. Fourth: The embedded valueware identity of the ridge line, which is the source of the beauty of private thought is that was also conformed the uniqueness of aesthetic value & reflect the identity of life afforded Joseon people conceived in white porcelain. In the future, we need to study the aesthetic norms of the formative nature of Korean esprit.