골굴석굴과 운강석굴 제 6굴의 구조와 도상의 비교연구

Abstract

The structure and iconography of Golgul caves and Yungang cave 6 were compared to reveal the following points. First, this study restates the points that are characteristic are that the structure of Golgul caves is a rectangular main room with a rectangular structure, and the walls of the rooms are stone walls, but the roof is wooden, not stone, and that the main room is a fully stone room, but there is no tower in which the image is sculptured in the center or backward in a long rectangular structure. Second, the structure type of Yungang caves is a rectangular chamber structure with an entrance to the wooden pavilion and a stone wall with three walls, and the main room is characterized by a square structure with four wall reliefs and a gamshil three main Buddha image on the inner Ojin and a four-sided tower with a Buddha image carved on the center four walls. Third, the iconography feature of Yungang cave 6 is that reliefs that carve out the thoughts of Lotus Sutra, Maitreya Sutra, Vimalakirti-nirdesa-Sutra, and Bulbonhaengjipgyeong are carved into the entire cave. Fourth, this Buddha image is an early Chinese Buddha image sculpture full of power, such as a face full of smiles, powerful faces, sturdy and powerful body, and a Baoyibodai Chinese-style robe and parallel staircase geometrical costume pattern. Fifth, in comparison, the iconography of Golgul caves Buddha image is likely to be a Maitreya Buddha due to thoughts of Yogacara vijnaptimatra, but the Golgul caves built in the 9th century are compared to the composition of the Shakyamuni Buddha image by thoughts of the Lotus Sutra or thoughts of Shininjong. Sixth, it was revealed that the Caitya Grottoes of India were transformed into Yungang cave 6 after being transformed simple-clearly, and that Golgul caves were apparently transformed.