耽羅巡歷圖의 정재공연과 주악 장면

Abstract

Mr. Lee Hyungsang (1965~1733) was appointed to the post of governor in Cheju Island in 1702. He made a tour of inspection through his area of jurisdiction and carried out several administrative works during his tour. One of his works was that he ordered an painter, Mr. Kim Namkil, to draw and paint several events, conducted in the Island at that time. In such circumstances, the sketchbook, entitled Tamna-sullyeok-do, was born. This book includes several drawings, paintings and illustrations that are invaluable to study court music and dance, accompanied to the official occasions in the Cheju Island during the early 18th century. In this paper, I explore the performing arts that were performed at the official events in Cheju Island during the early 18th century throughout those materials on the Tamnasullyeok-do. Based on the analysis of those materials published on the book,I found that dance in other area, far from Cheju, was introduced into the Cheju area. Also, I recognized throughout the research that court dance was performed by a boy dancer, the entertainment girls in this area during the early 18th century used the komungo, kayagum, pipa, changgo, buk and so on at the performance, and wind instruments such as daegum and piri were performed by only male performers. For the accompaniment of court dance,instruments such as daegum, piri, pipa, and buk (drum) were usually used,whereas string instruments such as komungo, kayagum pipa and so on were added in the case of big events in the early 18th century.